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| Tomb have and to hold | |
| (30 minutes later) | |
| By Mario Cacciottolo BBC News Magazine | By Mario Cacciottolo BBC News Magazine |
| The last Tutankhamun exhibition in 1972 saw queues around the block - which led Rod Coustan to meet his future wife Maja. Three children and 35 years later, the Magazine joined the couple for an exclusive preview of the new show. | The last Tutankhamun exhibition in 1972 saw queues around the block - which led Rod Coustan to meet his future wife Maja. Three children and 35 years later, the Magazine joined the couple for an exclusive preview of the new show. |
| The English, it is often said, like to queue. | The English, it is often said, like to queue. |
| While some other nationalities, this stereotype suggests, just stick out their elbows and get stuck into any line of people, the English wait patiently for something to actually happen. | While some other nationalities, this stereotype suggests, just stick out their elbows and get stuck into any line of people, the English wait patiently for something to actually happen. |
| Rod Coustan joined a queue 35 years ago. And something really happened. | Rod Coustan joined a queue 35 years ago. And something really happened. |
| He queue-jumped to get to me Maja CoustanOn the moment she met Rod class="" href="http://www.bbc.co.uk/theoneshow/">See more of Rod and Maja at the exhibition on Tuesday's One Show, BBC One 1900 GMT | |
| As he spent three hours in the snaking line outside the Tutankhamun exhibition at the British Museum in London, he had an encounter that changed his life. | As he spent three hours in the snaking line outside the Tutankhamun exhibition at the British Museum in London, he had an encounter that changed his life. |
| Somewhere up the line was Maja, a young Danish woman who had come to Britain with a friend to work as an au pair. Both were eager to see the relics from the tomb of the Egyptian boy king, in what was the blockbuster exhibition of the period. | Somewhere up the line was Maja, a young Danish woman who had come to Britain with a friend to work as an au pair. Both were eager to see the relics from the tomb of the Egyptian boy king, in what was the blockbuster exhibition of the period. |
| Rod caught her eye, the two began talking, later fell in love and now, after 30 years of marriage, three children and much travelling, have come back for a sneak preview of the latest exhibition of relics from the famous tomb. | Rod caught her eye, the two began talking, later fell in love and now, after 30 years of marriage, three children and much travelling, have come back for a sneak preview of the latest exhibition of relics from the famous tomb. |
| The moment | The moment |
| Through the tight security at the old Millennium Dome, now the O2 centre, and into the dim and eerie setting for the relics, Rod and Maja relive the moment they met. | Through the tight security at the old Millennium Dome, now the O2 centre, and into the dim and eerie setting for the relics, Rod and Maja relive the moment they met. |
| As he peers into the glass cases and murmurs recollections, Rod - a towering man of 62 with a permanent twinkle in his eye - explains how as a 26-year-old he was waiting with a newspaper and a bar of rum and raisin chocolate when he caught the eye of Maja. | As he peers into the glass cases and murmurs recollections, Rod - a towering man of 62 with a permanent twinkle in his eye - explains how as a 26-year-old he was waiting with a newspaper and a bar of rum and raisin chocolate when he caught the eye of Maja. |
| "I thought to myself 'I can't let that one go' says Rod with a grin. "So I offered her some chocolate, we started chatting and went from there." | "I thought to myself 'I can't let that one go' says Rod with a grin. "So I offered her some chocolate, we started chatting and went from there." |
| The couple knew they had at least one thing in common | The couple knew they had at least one thing in common |
| Maja, 54, giggles as she recalls the moment. "I had turned around and saw him looking at me over his newspaper. So I smiled, and threw my hair back over my shoulder. | Maja, 54, giggles as she recalls the moment. "I had turned around and saw him looking at me over his newspaper. So I smiled, and threw my hair back over my shoulder. |
| "He was different to Danish guys because he was tall and dark, and I also found him quite handsome." | "He was different to Danish guys because he was tall and dark, and I also found him quite handsome." |
| In this era when singletons go to ever increasing lengths to find a like-minded significant other, Rod and Maja found being in the same queue evidence enough of shared interests. | In this era when singletons go to ever increasing lengths to find a like-minded significant other, Rod and Maja found being in the same queue evidence enough of shared interests. |
| "He queue-jumped to get to me," Maja explains, clearly still surprised by Rod's bold actions, as if someone from the queue all those years ago might suddenly appear and complain. | "He queue-jumped to get to me," Maja explains, clearly still surprised by Rod's bold actions, as if someone from the queue all those years ago might suddenly appear and complain. |
| "I can still see her face in the queue now," says Rod. "In fact, it's the strongest memory I have of the day, even more than the exhibition itself." | "I can still see her face in the queue now," says Rod. "In fact, it's the strongest memory I have of the day, even more than the exhibition itself." |
| Grace and delicacy | Grace and delicacy |
| So do the memories come flooding back every time they hear mention of the name Tutankhamun? | So do the memories come flooding back every time they hear mention of the name Tutankhamun? |
| "They certainly do," says Rod, as Maja nods her agreement. "I always tell people I met my wife in the queue for his exhibition." | "They certainly do," says Rod, as Maja nods her agreement. "I always tell people I met my wife in the queue for his exhibition." |
| The couple, who now live in Devon, have been joined for the trip by their three children - Lina, 26, Miriam, 24, and Sebastian 21. | The couple, who now live in Devon, have been joined for the trip by their three children - Lina, 26, Miriam, 24, and Sebastian 21. |
| The exhibition has emotional resonance for Rod Coustan | The exhibition has emotional resonance for Rod Coustan |
| In two days this place will be swarming with members of the public. But for now, the Coustans can wander around in the darkness, occasionally punctured by glass cabinets and the light bouncing off the aged artefacts within - gold statuettes, ornate walking sticks, and other ornaments. | In two days this place will be swarming with members of the public. But for now, the Coustans can wander around in the darkness, occasionally punctured by glass cabinets and the light bouncing off the aged artefacts within - gold statuettes, ornate walking sticks, and other ornaments. |
| To see such beautiful objects, from so far away and long ago, created with such grace and delicacy, is a powerful experience. | To see such beautiful objects, from so far away and long ago, created with such grace and delicacy, is a powerful experience. |
| It was this magic that drew people into hours-long queues 35 years ago, and has been drawing crowds ever since around the world. | It was this magic that drew people into hours-long queues 35 years ago, and has been drawing crowds ever since around the world. |
| "It's much better laid out this time, there's much more space, although the music is getting on my nerves," says Maja gently, referring to the pseudo-atmospheric "aaahs" and "ooohs" leaking out from unseen speakers. | "It's much better laid out this time, there's much more space, although the music is getting on my nerves," says Maja gently, referring to the pseudo-atmospheric "aaahs" and "ooohs" leaking out from unseen speakers. |
| Upstairs the lighting is stronger and the exhibits larger, showing miniature boats which were intended to magically expand and be sailed in the afterlife. | Upstairs the lighting is stronger and the exhibits larger, showing miniature boats which were intended to magically expand and be sailed in the afterlife. |
| It is here that Professor David Silverman who is the curator of the exhibition explains the significance of the 130 artefacts on display, and the 51 that directly relate to Tutankhamun. | It is here that Professor David Silverman who is the curator of the exhibition explains the significance of the 130 artefacts on display, and the 51 that directly relate to Tutankhamun. |
| Of those, 48 are from his tomb, while 80 of the items are from the 100 years before the boy king's life. | Of those, 48 are from his tomb, while 80 of the items are from the 100 years before the boy king's life. |
| Ancient cultures | Ancient cultures |
| When asked the million-dollar question as to the reasons behind the enduring appeal of Tutankhamun, Prof Silverman smiles. | When asked the million-dollar question as to the reasons behind the enduring appeal of Tutankhamun, Prof Silverman smiles. |
| "I've been asked that many times, and there are many answers. These include the fact that many ancient cultures have images and language that are alien, but Egyptian art and language uses imagery that's recognisable. | "I've been asked that many times, and there are many answers. These include the fact that many ancient cultures have images and language that are alien, but Egyptian art and language uses imagery that's recognisable. |
| "Even hieroglyphics uses symbols that are recognisable images that aren't scary. Also, never underestimate the power of movies." | "Even hieroglyphics uses symbols that are recognisable images that aren't scary. Also, never underestimate the power of movies." |
| Prof Silverman goes on to explain that classic films like The Mummy, from 1932 starring Boris Karloff, and the 1999 film of the same name starring Brendan Fraser, have done much to fuel the public's fascination with all things ancient Egyptian. | Prof Silverman goes on to explain that classic films like The Mummy, from 1932 starring Boris Karloff, and the 1999 film of the same name starring Brendan Fraser, have done much to fuel the public's fascination with all things ancient Egyptian. |
| "I actually took Brendan through our exhibition and he's a big fan of it," says Prof Silverman with a dash of pride. | "I actually took Brendan through our exhibition and he's a big fan of it," says Prof Silverman with a dash of pride. |
| The Coustan's eldest daughter Lina Ficken, who is married to Neil, 29, is clearly impressed with the exhibition, not least because it brings to life a story which is a famous "family legend". But did the pair meet in a similar way? | The Coustan's eldest daughter Lina Ficken, who is married to Neil, 29, is clearly impressed with the exhibition, not least because it brings to life a story which is a famous "family legend". But did the pair meet in a similar way? |
| "Not really," says Lina with an embarrassed giggle. "We met on the dancefloor of a nightclub in Torquay." | "Not really," says Lina with an embarrassed giggle. "We met on the dancefloor of a nightclub in Torquay." |
| King Tut would probably not approve. | King Tut would probably not approve. |
Send us your comments using the form below. | Send us your comments using the form below. |