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Metro Manila wins best British indie film award | Metro Manila wins best British indie film award |
(about 5 hours later) | |
A film-maker who re-mortgaged his home to help fund his production was a triple winner at the Moet British Independent Film Awards in London. | A film-maker who re-mortgaged his home to help fund his production was a triple winner at the Moet British Independent Film Awards in London. |
Metro Manila, a crime thriller set in the Philippines, won the best film and production achievement prizes, and Sean Ellis was named best director. | Metro Manila, a crime thriller set in the Philippines, won the best film and production achievement prizes, and Sean Ellis was named best director. |
The film is the UK entry for best foreign language film at the Oscars. | The film is the UK entry for best foreign language film at the Oscars. |
James McAvoy was named best actor for Filth and Lindsay Duncan won best actress for Le Week-End. | James McAvoy was named best actor for Filth and Lindsay Duncan won best actress for Le Week-End. |
Julie Walters picked up an outstanding contribution award. | Julie Walters picked up an outstanding contribution award. |
Brighton-born Ellis was inspired to write Metro Manila after witnessing an intense argument between two security truck drivers while he was on holiday in the Philippines in 2007. | Brighton-born Ellis was inspired to write Metro Manila after witnessing an intense argument between two security truck drivers while he was on holiday in the Philippines in 2007. |
Three years later he returned to shoot the film on a tiny budget he had raised himself. | Three years later he returned to shoot the film on a tiny budget he had raised himself. |
"It's such a long journey we've had with this film with such humble beginnings," he said after picking up the top prize on Sunday night. | "It's such a long journey we've had with this film with such humble beginnings," he said after picking up the top prize on Sunday night. |
"I feel very honoured." | "I feel very honoured." |
The film was shot in the Philippines with local actors and all the dialogue is in Tagalog, which Ellis does not speak. | The film was shot in the Philippines with local actors and all the dialogue is in Tagalog, which Ellis does not speak. |
He said one of the problems he had when looking for finance was that potential investors wanted him to make it in English, or include an American actor. | He said one of the problems he had when looking for finance was that potential investors wanted him to make it in English, or include an American actor. |
Ellis, Oscar-nominated in 2006 for his short film Cashback, told the BBC that having re-mortgaged his house to raise £250,000 to fund the film, he had now made that money back. | Ellis, Oscar-nominated in 2006 for his short film Cashback, told the BBC that having re-mortgaged his house to raise £250,000 to fund the film, he had now made that money back. |
'Very emotional' | 'Very emotional' |
Picking up the award for best actor, James McAvoy said: "It's like Scotland's won the World Cup." | Picking up the award for best actor, James McAvoy said: "It's like Scotland's won the World Cup." |
In Filth, he plays abusive, bigoted, drug-taking policeman Bruce Robertson. | In Filth, he plays abusive, bigoted, drug-taking policeman Bruce Robertson. |
"I'm so proud of playing this character and I'm so sad I'll never play him again," said McAvoy backstage. | "I'm so proud of playing this character and I'm so sad I'll never play him again," said McAvoy backstage. |
He admitted that, along with Macbeth, Robertson was one of the two roles that he would miss playing the most. | He admitted that, along with Macbeth, Robertson was one of the two roles that he would miss playing the most. |
He said it had been a privilege bringing novelist Irving Welsh's "abusive, beautiful, loving, nasty and hilarious weird - almost Dickensian - world onto the screen". | He said it had been a privilege bringing novelist Irving Welsh's "abusive, beautiful, loving, nasty and hilarious weird - almost Dickensian - world onto the screen". |
Winning the best actress prize, Lindsay Duncan joked: "I'm just glad I was old enough to play the part." | Winning the best actress prize, Lindsay Duncan joked: "I'm just glad I was old enough to play the part." |
In Le Week-End, the 63-year-old and Jim Broadbent star as a couple in a tired marriage who revisit their honeymoon destination of Paris on their 30th anniversary. | In Le Week-End, the 63-year-old and Jim Broadbent star as a couple in a tired marriage who revisit their honeymoon destination of Paris on their 30th anniversary. |
Duncan said writer Hanif Kureishi and director Roger Michell had long been interested in older characters, but she acknowledged there had been a recent crop of films that were about older people. | Duncan said writer Hanif Kureishi and director Roger Michell had long been interested in older characters, but she acknowledged there had been a recent crop of films that were about older people. |
"Obviously the zeitgeist is about reflecting that the people of my generation are very much alive," she said. | "Obviously the zeitgeist is about reflecting that the people of my generation are very much alive," she said. |
After picking up her Richard Harris Award for outstanding contribution, Julie Walters recalled her breakthrough film role in 1983's Educating Rita. | After picking up her Richard Harris Award for outstanding contribution, Julie Walters recalled her breakthrough film role in 1983's Educating Rita. |
"Still to this day I meet women who come up in the street and say 'I left my husband because of you in that' or 'I got an education because of that film'." | "Still to this day I meet women who come up in the street and say 'I left my husband because of you in that' or 'I got an education because of that film'." |
Walters has more than 80 film credits to her name and is one of the most recognisable British actresses on film and TV. She is currently filming a new live action adaptation of the children's favourite, Paddington Bear. | Walters has more than 80 film credits to her name and is one of the most recognisable British actresses on film and TV. She is currently filming a new live action adaptation of the children's favourite, Paddington Bear. |
Captain Phillips director Paul Greengrass was presented with the Variety award - which recognises an actor, director, writer or producer who has helped to focus the international spotlight on the UK. | Captain Phillips director Paul Greengrass was presented with the Variety award - which recognises an actor, director, writer or producer who has helped to focus the international spotlight on the UK. |
His formidable body of work includes The Bourne Supremacy and United 93. | |
"There's a lot of razzmatazz around awards," Greengrass said, "but when you get an award like this and see the old clips and people say nice things it's very emotional." | "There's a lot of razzmatazz around awards," Greengrass said, "but when you get an award like this and see the old clips and people say nice things it's very emotional." |
He noted that British film makers were "in demand across the world". | He noted that British film makers were "in demand across the world". |
"Independent film," he said, "is the well-spring that drives the renewal and creativity of the British film industry." | "Independent film," he said, "is the well-spring that drives the renewal and creativity of the British film industry." |
Imogen Poots was named best supporting actress for The Look of Love, which starred Steve Coogan as adult magazine publisher Paul Raymond. | Imogen Poots was named best supporting actress for The Look of Love, which starred Steve Coogan as adult magazine publisher Paul Raymond. |
Best supporting actor was won by Australian actor Ben Mendelsohn for Starred Up - the only one of the prison-set drama's eight nominations that converted into a win. | Best supporting actor was won by Australian actor Ben Mendelsohn for Starred Up - the only one of the prison-set drama's eight nominations that converted into a win. |
Scottish filmmaker Paul Wright was given the award for best debut director for his film For Those In Peril - a dark drama set in the aftermath of a fishing tragedy in a small Scottish village. | Scottish filmmaker Paul Wright was given the award for best debut director for his film For Those In Peril - a dark drama set in the aftermath of a fishing tragedy in a small Scottish village. |
The screenplay award went to Steven Knight for Locke, while Edinburgh actress Chloe Pirrie won most promising newcomer for Shell. | The screenplay award went to Steven Knight for Locke, while Edinburgh actress Chloe Pirrie won most promising newcomer for Shell. |
Clio Barnard's heavily-nominated The Selfish Giant took just one award for technical achievement. | Clio Barnard's heavily-nominated The Selfish Giant took just one award for technical achievement. |
A film about jailed Russian protest group Pussy Riot won in the documentary category, while Cannes-winner Blue is the Warmest Colour won best international film. | A film about jailed Russian protest group Pussy Riot won in the documentary category, while Cannes-winner Blue is the Warmest Colour won best international film. |
The Raindance award went to sci-fi thriller The Machine, while Ken Loach's production company Sixteen Films and Friends were given a special jury prize. | The Raindance award went to sci-fi thriller The Machine, while Ken Loach's production company Sixteen Films and Friends were given a special jury prize. |
The winners were announced at a ceremony, held at Old Billingsgate, hosted by actor James Nesbitt. | The winners were announced at a ceremony, held at Old Billingsgate, hosted by actor James Nesbitt. |