This article is from the source 'guardian' and was first published or seen on . It last changed over 40 days ago and won't be checked again for changes.
You can find the current article at its original source at http://www.theguardian.com/film/2013/sep/05/the-stuart-hall-project-review
The article has changed 4 times. There is an RSS feed of changes available.
| Version 0 | Version 1 |
|---|---|
| The Stuart Hall Project – review | The Stuart Hall Project – review |
| (12 days later) | |
| John Akomfrah's film is a tribute to the critic and New Left Review founder Stuart Hall – a montage of existing documentary footage and Hall's own words and thoughts on film. It has an idealism and high seriousness that people might not immediately associate with the subject Hall pioneered: cultural studies. This is not about, say, postmodern readings of Lady Gaga, but a deeply considered project that reconsiders culture and identity for those excluded from the circles of power through race, gender and class. His is the progressive tradition of Richard Hoggart and Raymond Williams, unfashionable since Margaret Thatcher dismantled the welfarist consensus. Akomfrah finds a new and quietly moving significance in Hall's own life story: a man who came from Jamaica – which Hall elegantly calls the "home of hybridity" – and found himself not really at home there, nor in the postwar UK in which he began a brilliant academic career at Oxford. Akomfrah sees Hall as a calm figure who insists on the fundamental topic of equality – yet without getting angry at the surface flashpoints of history. I wondered sometimes at Hall's view on racial identity: it could well be, as he says, that race is an ideological construct – but does that help victims of racism? Anyway, an absorbing account. | John Akomfrah's film is a tribute to the critic and New Left Review founder Stuart Hall – a montage of existing documentary footage and Hall's own words and thoughts on film. It has an idealism and high seriousness that people might not immediately associate with the subject Hall pioneered: cultural studies. This is not about, say, postmodern readings of Lady Gaga, but a deeply considered project that reconsiders culture and identity for those excluded from the circles of power through race, gender and class. His is the progressive tradition of Richard Hoggart and Raymond Williams, unfashionable since Margaret Thatcher dismantled the welfarist consensus. Akomfrah finds a new and quietly moving significance in Hall's own life story: a man who came from Jamaica – which Hall elegantly calls the "home of hybridity" – and found himself not really at home there, nor in the postwar UK in which he began a brilliant academic career at Oxford. Akomfrah sees Hall as a calm figure who insists on the fundamental topic of equality – yet without getting angry at the surface flashpoints of history. I wondered sometimes at Hall's view on racial identity: it could well be, as he says, that race is an ideological construct – but does that help victims of racism? Anyway, an absorbing account. |
| Our editors' picks for the day's top news and commentary delivered to your inbox each morning. |