This article is from the source 'guardian' and was first published or seen on . It last changed over 40 days ago and won't be checked again for changes.
You can find the current article at its original source at http://www.theguardian.com/film/2013/sep/05/any-day-now-review
The article has changed 4 times. There is an RSS feed of changes available.
| Version 1 | Version 2 |
|---|---|
| Any Day Now – review | Any Day Now – review |
| (3 months later) | |
| See if this film is playing near you | |
| It sounds like something from Channel 5's afternoon schedule – gay couple in 1970s LA battle for custody of a neglectful neighbour's son who has Down's syndrome – but Travis Fine's drama digs far deeper into its every scene and character. Alan Cumming is Rudy, a drag artist railing against the insistence that good dads don't wear blusher; Garret Dillahunt is his boyfriend Paul, a lawyer who has an in with the system, if uncomfortable ties to the macho world of the bar. Fine never rushes his plot points, instead painting a picture of this generally unfabulous moment in muted-brown production design, and allowing his actors to unpick this case's nuances. He has fostered a credibly guarded turn from Dillahunt, and Cumming's most modulated and affecting screen performance yet. The film fights its small fight honestly and with commendable integrity. The kid (Isaac Leyva) is a heartbreaker, too. | It sounds like something from Channel 5's afternoon schedule – gay couple in 1970s LA battle for custody of a neglectful neighbour's son who has Down's syndrome – but Travis Fine's drama digs far deeper into its every scene and character. Alan Cumming is Rudy, a drag artist railing against the insistence that good dads don't wear blusher; Garret Dillahunt is his boyfriend Paul, a lawyer who has an in with the system, if uncomfortable ties to the macho world of the bar. Fine never rushes his plot points, instead painting a picture of this generally unfabulous moment in muted-brown production design, and allowing his actors to unpick this case's nuances. He has fostered a credibly guarded turn from Dillahunt, and Cumming's most modulated and affecting screen performance yet. The film fights its small fight honestly and with commendable integrity. The kid (Isaac Leyva) is a heartbreaker, too. |
| Our editors' picks for the day's top news and commentary delivered to your inbox each morning. | Our editors' picks for the day's top news and commentary delivered to your inbox each morning. |