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| Sid Bernstein, Who Helped Import the Beatles, Dies at 95 | Sid Bernstein, Who Helped Import the Beatles, Dies at 95 |
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| Sid Bernstein, the soft-spoken impresario whose long career included bringing the Beatles to Carnegie Hall in 1964 and Shea Stadium in 1965, died on Wednesday in Manhattan. He was 95. | Sid Bernstein, the soft-spoken impresario whose long career included bringing the Beatles to Carnegie Hall in 1964 and Shea Stadium in 1965, died on Wednesday in Manhattan. He was 95. |
| His death was announced by a spokeswoman, Merle Frimark. | His death was announced by a spokeswoman, Merle Frimark. |
| Mr. Bernstein had built a varied career by early 1963, when he became fascinated with the Beatles after reading British newspaper coverage of the hysteria that typically erupted at their concerts. He had by then presented a West Coast tour by Tito Puente and concerts by Miles Davis, Judy Garland, Tony Bennett, Nina Simone and Ruth Brown. | Mr. Bernstein had built a varied career by early 1963, when he became fascinated with the Beatles after reading British newspaper coverage of the hysteria that typically erupted at their concerts. He had by then presented a West Coast tour by Tito Puente and concerts by Miles Davis, Judy Garland, Tony Bennett, Nina Simone and Ruth Brown. |
| But getting the Beatles was not easy. At the General Artists Corporation, where Mr. Bernstein was earning $200 a week booking and promoting concerts, he was unable to stir up any interest among his colleagues, particularly after the agency’s representative in London assured him that the group was strictly a local phenomenon. | But getting the Beatles was not easy. At the General Artists Corporation, where Mr. Bernstein was earning $200 a week booking and promoting concerts, he was unable to stir up any interest among his colleagues, particularly after the agency’s representative in London assured him that the group was strictly a local phenomenon. |
| Mr. Bernstein persisted, telephoning the Beatles’ manager, Brian Epstein, at home in Liverpool in March 1963 and proposing they perform at Carnegie Hall. Mr. Epstein found the idea tantalizing but had reservations: the group’s early records, released in the United States on small labels, were getting no airplay and were not selling well, and he had no intention of having the Beatles fail in America. | Mr. Bernstein persisted, telephoning the Beatles’ manager, Brian Epstein, at home in Liverpool in March 1963 and proposing they perform at Carnegie Hall. Mr. Epstein found the idea tantalizing but had reservations: the group’s early records, released in the United States on small labels, were getting no airplay and were not selling well, and he had no intention of having the Beatles fail in America. |
| Mr. Bernstein offered $6,500 for two shows and proposed a date three months away. Mr. Epstein said he would not bring the group to New York before 1964, assuming they had made headway in the American market by then. Paging through his desk calendar, Mr. Bernstein proposed Feb. 12 — a national holiday (Lincoln’s Birthday in those days), when youngsters would be out of school. Mr. Epstein agreed, and Mr. Bernstein quickly booked two shows for that night. | Mr. Bernstein offered $6,500 for two shows and proposed a date three months away. Mr. Epstein said he would not bring the group to New York before 1964, assuming they had made headway in the American market by then. Paging through his desk calendar, Mr. Bernstein proposed Feb. 12 — a national holiday (Lincoln’s Birthday in those days), when youngsters would be out of school. Mr. Epstein agreed, and Mr. Bernstein quickly booked two shows for that night. |
| As it turned out, Ed Sullivan had booked the group for three consecutive appearances on his Sunday-night variety show, where they appeared on Feb. 9. Mr. Epstein, meanwhile, persuaded Capitol Records to release the Beatles’ single “I Want to Hold Your Hand” in late December and to commit $40,000 to promoting the group and its album “Meet the Beatles.” (Capitol, the American affiliate of EMI, the band’s British label, had earlier turned down their recordings.) The Carnegie Hall shows sold out quickly. | As it turned out, Ed Sullivan had booked the group for three consecutive appearances on his Sunday-night variety show, where they appeared on Feb. 9. Mr. Epstein, meanwhile, persuaded Capitol Records to release the Beatles’ single “I Want to Hold Your Hand” in late December and to commit $40,000 to promoting the group and its album “Meet the Beatles.” (Capitol, the American affiliate of EMI, the band’s British label, had earlier turned down their recordings.) The Carnegie Hall shows sold out quickly. |
| After his success with the Beatles, Mr. Bernstein presented the Rolling Stones at Carnegie Hall. But complaining that the Stones’ fans were rude to the ushers, stood on the seats and generally made a mess of the stately hall, the Carnegie booking manager banned him from presenting shows there for several years. Instead, Mr. Bernstein presented the Kinks, the Animals and other British bands at the Paramount Theater in Times Square and the Academy of Music downtown. | After his success with the Beatles, Mr. Bernstein presented the Rolling Stones at Carnegie Hall. But complaining that the Stones’ fans were rude to the ushers, stood on the seats and generally made a mess of the stately hall, the Carnegie booking manager banned him from presenting shows there for several years. Instead, Mr. Bernstein presented the Kinks, the Animals and other British bands at the Paramount Theater in Times Square and the Academy of Music downtown. |
| In October 1964 Mr. Bernstein approached the management of Shea Stadium about a Beatles appearance. Stadium officials doubted that he could sell 55,600 tickets to a pop concert, but he knew better. The show quickly sold out. The Beatles received $180,000 for the show on Aug. 15, 1965; Mr. Bernstein said that after expenses he made a profit of only $6,500. | In October 1964 Mr. Bernstein approached the management of Shea Stadium about a Beatles appearance. Stadium officials doubted that he could sell 55,600 tickets to a pop concert, but he knew better. The show quickly sold out. The Beatles received $180,000 for the show on Aug. 15, 1965; Mr. Bernstein said that after expenses he made a profit of only $6,500. |
| Mr. Bernstein booked the Beatles for a second Shea Stadium concert on Aug. 23, 1966. But because of the furor over John Lennon’s assertion that the band was more popular than Jesus, and perhaps also because of the fickleness of the teenage audience, thousands of tickets went unsold. The Beatles were fed up with live performances by that point, and when their 1966 North American tour ended, they retired from the stage, deciding to devote themselves instead to recording. | Mr. Bernstein booked the Beatles for a second Shea Stadium concert on Aug. 23, 1966. But because of the furor over John Lennon’s assertion that the band was more popular than Jesus, and perhaps also because of the fickleness of the teenage audience, thousands of tickets went unsold. The Beatles were fed up with live performances by that point, and when their 1966 North American tour ended, they retired from the stage, deciding to devote themselves instead to recording. |
| Mr. Bernstein tried to lure them back to Shea Stadium in 1967, reportedly offering them $1 million, but they were making no exceptions. | Mr. Bernstein tried to lure them back to Shea Stadium in 1967, reportedly offering them $1 million, but they were making no exceptions. |
| After the Beatles broke up in 1970, he tried regularly, in vain, to get them to reunite, first with lavish monetary offers and later with the promise that the money they raised would be used for disaster relief or charity. | After the Beatles broke up in 1970, he tried regularly, in vain, to get them to reunite, first with lavish monetary offers and later with the promise that the money they raised would be used for disaster relief or charity. |
| In September 1976 he took out a full-page advertisement in The New York Times to propose that the Beatles perform, together or separately, in a globally televised concert at which ticketholders would donate food or clothing, to be distributed in impoverished countries. | In September 1976 he took out a full-page advertisement in The New York Times to propose that the Beatles perform, together or separately, in a globally televised concert at which ticketholders would donate food or clothing, to be distributed in impoverished countries. |
| Sid Bernstein — he rarely used his full given name, Sidney, was born in Manhattan on Aug. 12, 1918. He was adopted by Yiddish-speaking Russian immigrants who called him Simcha, which means joy or gladness in Hebrew. In 1943 he joined the Army and fought in the Battle of the Bulge. While he was stationed in France after the war, he set up and ran a nightclub for American soldiers. | Sid Bernstein — he rarely used his full given name, Sidney, was born in Manhattan on Aug. 12, 1918. He was adopted by Yiddish-speaking Russian immigrants who called him Simcha, which means joy or gladness in Hebrew. In 1943 he joined the Army and fought in the Battle of the Bulge. While he was stationed in France after the war, he set up and ran a nightclub for American soldiers. |
| Upon his return to New York he began organizing singles weekends in the Catskills, as well as weekly dances at the Tremont Terrace, a Bronx nightclub. When the Puerto Rican population of the neighborhood grew, and Latin music was in greater demand, Mr. Bernstein changed the club’s name to the Trocadero and began alternating Latin concerts with the bar mitzvahs that were still an important part of the club’s business. | Upon his return to New York he began organizing singles weekends in the Catskills, as well as weekly dances at the Tremont Terrace, a Bronx nightclub. When the Puerto Rican population of the neighborhood grew, and Latin music was in greater demand, Mr. Bernstein changed the club’s name to the Trocadero and began alternating Latin concerts with the bar mitzvahs that were still an important part of the club’s business. |
| By the early 1960s, around the time he was presenting Judy Garland and others at Carnegie Hall, Mr. Bernstein was also overseeing shows by James Brown and other rhythm-and-blues performers at the Paramount. Between the 1964 and ’65 Beatles tours, he began managing the Young Rascals (they soon dropped Young from their name) and the singer-songwriter Laura Nyro. He later presented concerts or arranged tours by Jimi Hendrix, Fleetwood Mac and others. | By the early 1960s, around the time he was presenting Judy Garland and others at Carnegie Hall, Mr. Bernstein was also overseeing shows by James Brown and other rhythm-and-blues performers at the Paramount. Between the 1964 and ’65 Beatles tours, he began managing the Young Rascals (they soon dropped Young from their name) and the singer-songwriter Laura Nyro. He later presented concerts or arranged tours by Jimi Hendrix, Fleetwood Mac and others. |
| Mr. Bernstein married Geraldine Gale in 1963. She survives him, as do their sons Adam, Etienne, Beau and Dylan; daughters Casey Bernstein Deutsch and Denise Bernstein; and six grandchildren. | Mr. Bernstein married Geraldine Gale in 1963. She survives him, as do their sons Adam, Etienne, Beau and Dylan; daughters Casey Bernstein Deutsch and Denise Bernstein; and six grandchildren. |
| Mr. Bernstein wrote a memoir, “Not Just the Beatles ...,” with Arthur Aaron in 2000; it was republished in 2002 as “It’s Sid Bernstein Calling.” He was also the subject of a 2010 documentary, “Sid Bernstein Presents ....” | Mr. Bernstein wrote a memoir, “Not Just the Beatles ...,” with Arthur Aaron in 2000; it was republished in 2002 as “It’s Sid Bernstein Calling.” He was also the subject of a 2010 documentary, “Sid Bernstein Presents ....” |
| “My secret to success,” he wrote on his Web site, “is that I’ve always loved good music and people. The players in the promotion business today are, by and large, not in it for the art anymore. It’s all about how many bucks can you make on a concert. That’s permissible. I mean, we are in a capitalistic society. But I feel a lot of the art thing is lost. It shouldn’t just be about money. It should be about loving what you do.” | “My secret to success,” he wrote on his Web site, “is that I’ve always loved good music and people. The players in the promotion business today are, by and large, not in it for the art anymore. It’s all about how many bucks can you make on a concert. That’s permissible. I mean, we are in a capitalistic society. But I feel a lot of the art thing is lost. It shouldn’t just be about money. It should be about loving what you do.” |
This article has been revised to reflect the following correction: | This article has been revised to reflect the following correction: |
| Correction: August 26, 2013 | |
Because of an editing error, an obituary on Thursday about the promoter Sid Bernstein, who brought the Beatles to Carnegie Hall | Because of an editing error, an obituary on Thursday about the promoter Sid Bernstein, who brought the Beatles to New York, referred incorrectly to Lincoln’s Birthday, when Mr. Bernstein presented the group at Carnegie Hall in 1964. The birthday was observed in several states at the time, including New York, but it was not a national holiday. |
Because of an editing error, an earlier version of this obituary referred incorrectly to Lincoln’s Birthday, when Mr. Bernstein presented the Beatles at Carnegie Hall in 1964. It was observed in several states at the time, including New York; it was not a national holiday. |