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Christopher Fiddes: Belfast Pictures in Northampton | Christopher Fiddes: Belfast Pictures in Northampton |
(about 4 hours later) | |
A Northampton artist's paintings of the Northern Ireland conflict are being displayed together for what is thought to be the first time in 30 years. | A Northampton artist's paintings of the Northern Ireland conflict are being displayed together for what is thought to be the first time in 30 years. |
Christopher Fiddes, 80, produced 10 works known as the Belfast Pictures in 1972. | Christopher Fiddes, 80, produced 10 works known as the Belfast Pictures in 1972. |
His images depict both Catholic and Protestant views of the Troubles. | His images depict both Catholic and Protestant views of the Troubles. |
One painting purchased by the Imperial War Museum was destroyed in a fire. The rest are being shown at Northampton Museum and Art Gallery until July. | |
In the 1970s Mr Fiddes, who had previously served in the army, was head of art at a Northampton High School. | In the 1970s Mr Fiddes, who had previously served in the army, was head of art at a Northampton High School. |
He said: "I realised history was being made on my doorstep, and was only being recorded on paper and film, which are ephemeral media. | He said: "I realised history was being made on my doorstep, and was only being recorded on paper and film, which are ephemeral media. |
"There were no artists recording what was happening, and I felt I had to do that." | "There were no artists recording what was happening, and I felt I had to do that." |
Mr Fiddes said he took only sketchpads, and completed the paintings on his return. | Mr Fiddes said he took only sketchpads, and completed the paintings on his return. |
"You have to travel light in situations like that," he said. | "You have to travel light in situations like that," he said. |
"I remember standing outside the Bluebell pub, which had recently been bombed, and one old boy told me to leave. He said 'You're not welcome here'. | "I remember standing outside the Bluebell pub, which had recently been bombed, and one old boy told me to leave. He said 'You're not welcome here'. |
"That was in a Protestant area, where, as an Englishman I thought I would have been seen as a fairly neutral presence." | "That was in a Protestant area, where, as an Englishman I thought I would have been seen as a fairly neutral presence." |
Mr Fiddes recalled being arrested by the Army on one occasion, while sketching a checkpoint. | Mr Fiddes recalled being arrested by the Army on one occasion, while sketching a checkpoint. |
"I was looking at the rifle slot and became aware the gun was pointing at me. | "I was looking at the rifle slot and became aware the gun was pointing at me. |
"I was frog-marched off and interrogated. It was a very unpleasant experience indeed," he said. | "I was frog-marched off and interrogated. It was a very unpleasant experience indeed," he said. |
"They told me I would be lucky to get out of Belfast alive if I continued with my sketching." | "They told me I would be lucky to get out of Belfast alive if I continued with my sketching." |
Thirty years after completing the paintings, Mr Fiddes wrote about his experiences in Northern Ireland. | Thirty years after completing the paintings, Mr Fiddes wrote about his experiences in Northern Ireland. |
He described himself, and his journey to Belfast, as "completely naive and foolish". | He described himself, and his journey to Belfast, as "completely naive and foolish". |
"I had not realised that... Belfast had been divided up into Catholic and Protestant areas... and no one in their right minds ever moved from one sector to another," he said. | "I had not realised that... Belfast had been divided up into Catholic and Protestant areas... and no one in their right minds ever moved from one sector to another," he said. |
"And I had not realised... the city of Belfast was rocked on average six times a day by car bombs." | "And I had not realised... the city of Belfast was rocked on average six times a day by car bombs." |
He added: "Most of the time I was terrified. I would... get back to [my lodgings] in the evening with sweat sticking my shirt to my back." | He added: "Most of the time I was terrified. I would... get back to [my lodgings] in the evening with sweat sticking my shirt to my back." |
However, he said: "The pictures do tell of the situation how it was, or how it seemed to me. | However, he said: "The pictures do tell of the situation how it was, or how it seemed to me. |
"If they do nothing other than show the horror of civil strife within a small and close-knit community, I still believe they were worth doing." | "If they do nothing other than show the horror of civil strife within a small and close-knit community, I still believe they were worth doing." |
It is believed the Belfast Paintings, which were gifted to Northampton Museum and Art Gallery in 1977, were last shown together at a private viewing in the 1980s. | It is believed the Belfast Paintings, which were gifted to Northampton Museum and Art Gallery in 1977, were last shown together at a private viewing in the 1980s. |
Since then they have been held as part of the museum's reserve collection. | Since then they have been held as part of the museum's reserve collection. |
The exhibition is timed to coincide with a month of events celebrating the completion of the BBC's Your Paintings website, which includes Fiddes' works together with more than 210,000 other paintings from museums and collections in the UK. | The exhibition is timed to coincide with a month of events celebrating the completion of the BBC's Your Paintings website, which includes Fiddes' works together with more than 210,000 other paintings from museums and collections in the UK. |
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