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Kate portrait: First official painting revealed | Kate portrait: First official painting revealed |
(35 minutes later) | |
The first official painting of the Duchess of Cambridge has been unveiled. | The first official painting of the Duchess of Cambridge has been unveiled. |
It was painted by the artist Paul Emsley and took several months using a technique of building thin layers of oil and glazes on canvas. | It was painted by the artist Paul Emsley and took several months using a technique of building thin layers of oil and glazes on canvas. |
The duchess sat for the artist twice. Mr Emsley also worked from a series of photographs he took of Catherine. | The duchess sat for the artist twice. Mr Emsley also worked from a series of photographs he took of Catherine. |
The portrait is due to go on show on Friday afternoon at London's National Portrait Gallery, of which the duchess is patron. | The portrait is due to go on show on Friday afternoon at London's National Portrait Gallery, of which the duchess is patron. |
Mr Emsley was chosen to paint the portrait by the gallery's director, Sandy Nairne. Catherine, who studied history of art at St Andrews University, was also involved in the selection process. | |
The duchess, 31, whose pregnancy was announced by the Royal Family last month, sat for the artist in May 2012 at his studio, and again in June at Kensington Palace. | The duchess, 31, whose pregnancy was announced by the Royal Family last month, sat for the artist in May 2012 at his studio, and again in June at Kensington Palace. |
'Light and shadow' | 'Light and shadow' |
Mr Emsley said she had expressed a desire to be portrayed as her natural self, rather than her official self. | Mr Emsley said she had expressed a desire to be portrayed as her natural self, rather than her official self. |
The artist described his work as simple. | The artist described his work as simple. |
"I don't have lots of things in the background. I do like large faces, I find them strong and contemporary," he said. | "I don't have lots of things in the background. I do like large faces, I find them strong and contemporary," he said. |
"I'm interested in the landscape of the face, the way in which light and shadow fall across the forms. That's really my subject matter. | "I'm interested in the landscape of the face, the way in which light and shadow fall across the forms. That's really my subject matter. |
"To have anything else in there is really just an interference." | "To have anything else in there is really just an interference." |
The artist's other subjects have included the former President of South Africa, Nelson Mandela, and the author V S Naipaul. In 2007 he won the BP Portrait Award for his depiction of fellow artist, Michael Simpson. | The artist's other subjects have included the former President of South Africa, Nelson Mandela, and the author V S Naipaul. In 2007 he won the BP Portrait Award for his depiction of fellow artist, Michael Simpson. |
Mr Emsley said it was easier to work from photographs. | Mr Emsley said it was easier to work from photographs. |
"I'm always worried about the sitter - are they cold, are they hot, are they comfortable?" he said. | "I'm always worried about the sitter - are they cold, are they hot, are they comfortable?" he said. |
"Photography today is so accurate and so good that it's really so much easier just to take photographs and work from them." | "Photography today is so accurate and so good that it's really so much easier just to take photographs and work from them." |
Smiling portrait | Smiling portrait |
Originally Mr Emsley had planned to produce an unsmiling portrait. But on meeting the duchess he changed his mind. | Originally Mr Emsley had planned to produce an unsmiling portrait. But on meeting the duchess he changed his mind. |
"I think it was the right choice in the end to have her smiling. That's really who she is, I think," he said. | "I think it was the right choice in the end to have her smiling. That's really who she is, I think," he said. |
He also knew he wanted to make a feature of Catherine's hair. | He also knew he wanted to make a feature of Catherine's hair. |
"Everyone, I think, recognises her partly through her lovely hair," he said. | "Everyone, I think, recognises her partly through her lovely hair," he said. |
"I've altered the colour of the eyes slightly to match the colour of the blouse and the blue background." | "I've altered the colour of the eyes slightly to match the colour of the blouse and the blue background." |
The painting took three and a half months to complete and was presented to the portrait gallery's trustees in November. | The painting took three and a half months to complete and was presented to the portrait gallery's trustees in November. |
Ms Nairne said it was an "exciting moment" to display the first commissioned public portrait of the duchess. | Ms Nairne said it was an "exciting moment" to display the first commissioned public portrait of the duchess. |
She added that she was grateful to the duchess for giving up her time for the sittings and to Mr Emsley for creating a "captivating contemporary image". | She added that she was grateful to the duchess for giving up her time for the sittings and to Mr Emsley for creating a "captivating contemporary image". |
The portrait, called HRH The Duchess of Cambridge, will be displayed as part of the National Portrait Gallery's Contemporary Collections. | The portrait, called HRH The Duchess of Cambridge, will be displayed as part of the National Portrait Gallery's Contemporary Collections. |