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| From Hogarth to Hislop | From Hogarth to Hislop |
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| By Tom Geoghegan BBC News Magazine From 18th Century London squalor to primetime television 250 years later, satire has a long and dishonourable British tradition. You might know your Hislops from your Bremners, but the daddy of them all was William Hogarth. | By Tom Geoghegan BBC News Magazine From 18th Century London squalor to primetime television 250 years later, satire has a long and dishonourable British tradition. You might know your Hislops from your Bremners, but the daddy of them all was William Hogarth. |
| Poking fun at the British establishment always gets a laugh. Have I Got News For You, Private Eye magazine and Rory Bremner are among today's chief tormentors, continuing the work of Spitting Image, Peter Cook and Punch. | Poking fun at the British establishment always gets a laugh. Have I Got News For You, Private Eye magazine and Rory Bremner are among today's chief tormentors, continuing the work of Spitting Image, Peter Cook and Punch. |
| Some acerbic cartoonists have such a devoted following they are as treasured as the newspaper columnists with whom they share the page. | Some acerbic cartoonists have such a devoted following they are as treasured as the newspaper columnists with whom they share the page. |
| He's the great master of that tradition of English satire and we're all trailing in his wake Ian Hislop But would all of these modern forms of satire still be enjoyed if it wasn't for a Cockney born more than 300 years ago? | He's the great master of that tradition of English satire and we're all trailing in his wake Ian Hislop But would all of these modern forms of satire still be enjoyed if it wasn't for a Cockney born more than 300 years ago? |
| William Hogarth was not just a satirist - a new exhibition at Tate Britain, in London, reveals his talents as popular engraver and serious artist. But his work reminds a modern audience that today's attempts to highlight folly and hypocrisy through comedy owe much to him. | William Hogarth was not just a satirist - a new exhibition at Tate Britain, in London, reveals his talents as popular engraver and serious artist. But his work reminds a modern audience that today's attempts to highlight folly and hypocrisy through comedy owe much to him. |
| His favourite targets - aristocracy, politicians, the Church - are the same establishment figures lampooned on television and in magazines today. | His favourite targets - aristocracy, politicians, the Church - are the same establishment figures lampooned on television and in magazines today. |
| href="/1/shared/spl/hi/pop_ups/07/magazine_enl_1171022687/html/1.stm" onClick="window.open('http://news.bbc.co.uk/1/shared/spl/hi/pop_ups/07/magazine_enl_1171022687/html/1.stm', '1171022735', 'toolbar=0,scrollbars=0,location=0,statusbar=0,menubar=0,resizable=1,width=750,height=388,left=312,top=100'); return false;">The Rake's Progress href="javascript: void window.open('http://news.bbc.co.uk/1/shared/spl/hi/pop_ups/07/magazine_enl_1171022687/html/1.stm', '1171022735', 'toolbar=0,scrollbars=0,location=0,statusbar=0,menubar=0,resizable=1,width=750,height=388,left=312,top=100');" >Enlarge Image Hogarth's satire can be quite dense, even ambivalent. In the Rake's Progress [see enlarge image, right], there are timely lessons about the bourgeois Tom Rakewell, who squanders his inheritance on women, drinks and gambling. He is thrown into a debtor's prison and ends his days in Bedlam, a dribbling madman. | |
| On one level this is a simple morality tale of cause and effect, with Hogarth cautioning against vice and affectation. But small details in the eight pictures reveal plenty of other targets - the indiscriminate aspiration of the middle class, the nobility who share Rakewell's vices and grin at his insanity, and the criminals who prey on his naivety. | On one level this is a simple morality tale of cause and effect, with Hogarth cautioning against vice and affectation. But small details in the eight pictures reveal plenty of other targets - the indiscriminate aspiration of the middle class, the nobility who share Rakewell's vices and grin at his insanity, and the criminals who prey on his naivety. |
| "Hogarth looks at the consequences when a society is happy to divest a man of his money," says Curator Christine Riding. "Rakewell is weak but there's no other path afforded to him." | |
| Similarly, Industry and Idleness would appear to condemn the indolent apprentice who wanders into a life of crime and is eventually hanged, and was used as a basis for church sermons. | |
| Foppishness | Foppishness |
| "But I think he's being critical all round," says Ms Riding. "He's underlining that society as a whole isn't supporting people and is abusing them through punishment, making them more likely to drift into the criminal world." | "But I think he's being critical all round," says Ms Riding. "He's underlining that society as a whole isn't supporting people and is abusing them through punishment, making them more likely to drift into the criminal world." |
| Hogarth's favourite target for satire was probably the aristocracy and their fondness for affectation. | Hogarth's favourite target for satire was probably the aristocracy and their fondness for affectation. |
| "But what he satirised more than anything else was the unthinking appreciation of cultural modes and patronages," she says, highlighting how the wealthy recklessly disregarded home-grown artists in favour of exotic, European painters. | "But what he satirised more than anything else was the unthinking appreciation of cultural modes and patronages," she says, highlighting how the wealthy recklessly disregarded home-grown artists in favour of exotic, European painters. |
| Hogarth would have seen the intelligence behind the satire of Private Eye and Have I Got News For You, she says. | Hogarth would have seen the intelligence behind the satire of Private Eye and Have I Got News For You, she says. |
| WILLIAM HOGARTH Born 1697 and baptised in Smithfield1707: Father Richard send to Fleet prison for debt after coffee house fails1713: Hogarth apprenticed to silver engraver1721: First satirical engraving The South Sea Scheme1734: Completes The Rake's Progress1741: Opens The Foundling Hospital, which he founded1749: Buys a small country house in ChiswickDies in 1764 | WILLIAM HOGARTH Born 1697 and baptised in Smithfield1707: Father Richard send to Fleet prison for debt after coffee house fails1713: Hogarth apprenticed to silver engraver1721: First satirical engraving The South Sea Scheme1734: Completes The Rake's Progress1741: Opens The Foundling Hospital, which he founded1749: Buys a small country house in ChiswickDies in 1764 |
| Ian Hislop, who edits the magazine and is ever-present on the quiz show, has the original Election Series hanging in his office, although it is currently lent to the Tate. | Ian Hislop, who edits the magazine and is ever-present on the quiz show, has the original Election Series hanging in his office, although it is currently lent to the Tate. |
| "Hogarth came up with some of the jokes we still use today," he says. "A lot of the jokes lie in the visual details like a magazine, with puns, captions and allusions. | "Hogarth came up with some of the jokes we still use today," he says. "A lot of the jokes lie in the visual details like a magazine, with puns, captions and allusions. |
| "They're a fantastic source of things to say about those in power. | "They're a fantastic source of things to say about those in power. |
| "Hogarth was a huge influence on cartoonists and caricaturists but he started things for everyone. He's the great master of that tradition of English satire and we're all trailing in his wake." | "Hogarth was a huge influence on cartoonists and caricaturists but he started things for everyone. He's the great master of that tradition of English satire and we're all trailing in his wake." |
| One of his key skills, says Mr Hislop, is that he was good at identifying the gulf between what people tell you about how to behave and how they actually are themselves, which is a strategy widely exploited by modern satirists. | One of his key skills, says Mr Hislop, is that he was good at identifying the gulf between what people tell you about how to behave and how they actually are themselves, which is a strategy widely exploited by modern satirists. |
| Hislop and O'Farrell agree Hogarth was the master | Hislop and O'Farrell agree Hogarth was the master |
| And while topicality is crucial to the sting of the joke, Hogarth's humour still works, he says. | And while topicality is crucial to the sting of the joke, Hogarth's humour still works, he says. |
| "A lot of his targets are universal and a small amount of boning up brings huge rewards in understanding the perceptions he had about power, human relationships and fashion." | "A lot of his targets are universal and a small amount of boning up brings huge rewards in understanding the perceptions he had about power, human relationships and fashion." |
| John O'Farrell, a writer for Spitting Image and Have I Got News For You, concedes that satire's bite has diminished over time. | John O'Farrell, a writer for Spitting Image and Have I Got News For You, concedes that satire's bite has diminished over time. |
| "I don't sit down and read Swift and think 'that's exactly what I was thinking about Walpole', " he says. "But anyone with a vague understanding of history will appreciate it was the cutting edge at the time." | "I don't sit down and read Swift and think 'that's exactly what I was thinking about Walpole', " he says. "But anyone with a vague understanding of history will appreciate it was the cutting edge at the time." |
| Besides, "there are plenty of cartoons published today which are not funny five minutes later". | Besides, "there are plenty of cartoons published today which are not funny five minutes later". |
| The idea that satirists also have to provide all the solutions is unfair John O'Farrell | The idea that satirists also have to provide all the solutions is unfair John O'Farrell |
| A healthy disrespect is important in a democracy and Hogarth had that in spades. That's why he deserves admiration, says O'Farrell. | A healthy disrespect is important in a democracy and Hogarth had that in spades. That's why he deserves admiration, says O'Farrell. |
| What about Hogarth's social agenda? His famous depiction of drunken London, Gin Lane, was credited with prompting the 1751 Gin Act which regulated alcohol. | What about Hogarth's social agenda? His famous depiction of drunken London, Gin Lane, was credited with prompting the 1751 Gin Act which regulated alcohol. |
| But satire need not have a wider aim, says Mr O'Farrell. "It's easy to say 'you're just knocking everyone and having a go' but the satirist's job, as someone said, is to hold up a distorting mirror wherein we see ourselves more clearly, and that's all he is expected to do. | But satire need not have a wider aim, says Mr O'Farrell. "It's easy to say 'you're just knocking everyone and having a go' but the satirist's job, as someone said, is to hold up a distorting mirror wherein we see ourselves more clearly, and that's all he is expected to do. |
| "The idea that satirists also have to provide all the solutions is unfair. Their job is to say 'This is how it goes and what are you going to do about it?' | "The idea that satirists also have to provide all the solutions is unfair. Their job is to say 'This is how it goes and what are you going to do about it?' |
| So who would Hogarth love to lampoon today? Premiership footballers, says Ms Riding. Jade Goody, says Hislop. | So who would Hogarth love to lampoon today? Premiership footballers, says Ms Riding. Jade Goody, says Hislop. |
Add your comments on this story, using the form below. | Add your comments on this story, using the form below. |