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‘The Retrievals,’ Episode 4: The Clinic | |
(21 days later) | |
After the nurse is sentenced, patients file a lawsuit against the fertility clinic at Yale. The nurse, Donna, is just one person. There is an entire institution that needs to account for what went wrong. | After the nurse is sentenced, patients file a lawsuit against the fertility clinic at Yale. The nurse, Donna, is just one person. There is an entire institution that needs to account for what went wrong. |
How did the system fail in such a huge way? How did Donna get away with what she was doing — and how long was she doing it for? The lawsuit said that Donna was stealing fentanyl for a lot longer than the five months she claims. | How did the system fail in such a huge way? How did Donna get away with what she was doing — and how long was she doing it for? The lawsuit said that Donna was stealing fentanyl for a lot longer than the five months she claims. |
And what about the pain patients felt during retrievals? | And what about the pain patients felt during retrievals? |
We go inside the Yale clinic to find out what staff members can tell us about the failings and to try to make sense of that pain from the perspective of doctors and nurses. | We go inside the Yale clinic to find out what staff members can tell us about the failings and to try to make sense of that pain from the perspective of doctors and nurses. |
Carla Pallone is a composer based in France. After classical training as a violinist, she performed in the bands Mansfield.TYA and VACΛRME. She now composes music for cinema and the theater, and has written music for films including “La Fille au Bracelet,” “Libre Garance!” and “Midnight Skin.” | Carla Pallone is a composer based in France. After classical training as a violinist, she performed in the bands Mansfield.TYA and VACΛRME. She now composes music for cinema and the theater, and has written music for films including “La Fille au Bracelet,” “Libre Garance!” and “Midnight Skin.” |
Reported, produced and hosted by Susan BurtonProduced and edited by Laura StarecheskiExecutive Editor, Serial Productions Julie SnyderSupervising Producer, Serial Productions Ndeye ThioubouMusic supervision and sound design by Phoebe WangOriginal score by Carla PalloneMusic mixing by Thomas Poli at Impersonal FreedomResearch and fact-checking by Ben Phelan and Caitlin LoveStandards Editor Susan WesslingLegal review by Dana GreenArt direction by Pablo DelcanAdditional editing by Katie Mingle and Ira GlassAdditional production by Michelle NavarroDeputy Managing Editor Sam DolnickProducing help by Jeffrey Miranda, Kelly Doe, Renan Borelli, Desiree Ibekwe and Anisha Muni | Reported, produced and hosted by Susan BurtonProduced and edited by Laura StarecheskiExecutive Editor, Serial Productions Julie SnyderSupervising Producer, Serial Productions Ndeye ThioubouMusic supervision and sound design by Phoebe WangOriginal score by Carla PalloneMusic mixing by Thomas Poli at Impersonal FreedomResearch and fact-checking by Ben Phelan and Caitlin LoveStandards Editor Susan WesslingLegal review by Dana GreenArt direction by Pablo DelcanAdditional editing by Katie Mingle and Ira GlassAdditional production by Michelle NavarroDeputy Managing Editor Sam DolnickProducing help by Jeffrey Miranda, Kelly Doe, Renan Borelli, Desiree Ibekwe and Anisha Muni |
Special thanks to Erik Tanner, Pierre Cattoni, Lee Riffaterre, Katie Fuchs, Jordan Cohen, Victoria Kim, Jason Fujikuni, Kimmy Tsai, Ashka Gami, Nina Lassam, Jon McNally, Krystal Plomatos and Sam Posner. | Special thanks to Erik Tanner, Pierre Cattoni, Lee Riffaterre, Katie Fuchs, Jordan Cohen, Victoria Kim, Jason Fujikuni, Kimmy Tsai, Ashka Gami, Nina Lassam, Jon McNally, Krystal Plomatos and Sam Posner. |
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