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In ‘Transatlantic,’ Stories of Rescue and Resistance From World War II In ‘Transatlantic,’ Stories of Rescue and Resistance From World War II
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When Anna Winger, the co-creator of the new Netflix series “Transatlantic,” relocated to the vibrant French port city of Marseille last year, she found a dilapidated villa awaiting her. The “relic,” as she called it, was ideal for her purpose: the recreation of the Villa Air-Bel where, early in World War II, a dapper American named Varian Fry oversaw an extraordinary rescue operation for artists and writers, most of them Jews, hounded by the Nazis and the Vichy government of occupied France.When Anna Winger, the co-creator of the new Netflix series “Transatlantic,” relocated to the vibrant French port city of Marseille last year, she found a dilapidated villa awaiting her. The “relic,” as she called it, was ideal for her purpose: the recreation of the Villa Air-Bel where, early in World War II, a dapper American named Varian Fry oversaw an extraordinary rescue operation for artists and writers, most of them Jews, hounded by the Nazis and the Vichy government of occupied France.
Arriving in Marseille in mid-August, 1940, determined to help those in danger after witnessing the abuse of Jews in Berlin in 1935, Fry had to battle not only the French authorities and Nazi ideology, but also his own risk-averse United States Consulate in Marseille.Arriving in Marseille in mid-August, 1940, determined to help those in danger after witnessing the abuse of Jews in Berlin in 1935, Fry had to battle not only the French authorities and Nazi ideology, but also his own risk-averse United States Consulate in Marseille.
Improvising at a time when the United States had not yet entered the war, Fry, a rebel in a suit, navigated a narrow path until his forced departure in late August 1941. He was determined to secure safe passage and overseas visas for the thousands of “foreign undesirables” who soon came knocking on his door.Improvising at a time when the United States had not yet entered the war, Fry, a rebel in a suit, navigated a narrow path until his forced departure in late August 1941. He was determined to secure safe passage and overseas visas for the thousands of “foreign undesirables” who soon came knocking on his door.
Among the some 2,000 people he rescued were the artist Max Ernst, the political philosopher Hannah Arendt and the German novelist Heinrich Mann.Among the some 2,000 people he rescued were the artist Max Ernst, the political philosopher Hannah Arendt and the German novelist Heinrich Mann.
In his book “Assignment: Rescue,” written after the war, Fry wrote of Nazism that “I could not remain idle as long as I had any chance at all of saving even a few of its intended victims.”
For many years, Winger had been obsessed with the story of “this man alone doing something very brave,” she said in an interview. In 2018, she started working on the project, and in 2020, she optioned Julie Orringer’s novel “The Flight Portfolio,” which became the basis for the fictionalized events in “Transatlantic.” The series debuts on Friday.