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‘Sepa: Our Lord of Miracles’ Review: A Prison in the Amazon Jungle ‘Sepa, Nuestro Señor de los Milagros’ Review: A Prison in the Jungle
(about 5 hours later)
In the late 1940s, the president of Peru, Gen. Manuel Odría, had a bright idea, or so he thought, about the colonization of the Amazon: start with criminals, convicted or not. This penal colony, called Sepa — which began operating in 1951 and was mostly shut down in the early 1990s — was often a dumping ground for political opponents of whatever leadership was in power at the time. Far from so-called civilization and wanting in many resources, it was an environment in which prisoners were obliged to form functioning communities or die.In the late 1940s, the president of Peru, Gen. Manuel Odría, had a bright idea, or so he thought, about the colonization of the Amazon: start with criminals, convicted or not. This penal colony, called Sepa — which began operating in 1951 and was mostly shut down in the early 1990s — was often a dumping ground for political opponents of whatever leadership was in power at the time. Far from so-called civilization and wanting in many resources, it was an environment in which prisoners were obliged to form functioning communities or die.
“Sepa: Our Lord of Miracles,” a short but crucial documentary made in 1986, depicts life in the colony. Sepa was populated by all manner of criminals, some violent, some not: sex offenders, thieves, small-scale drug traffickers‌. But, partially because the environment compelled the inhabitants to work together, this “green hell,” as an interviewee calls it, was in a sense far more functional than most prisons: There were no gangs, no alcohol or drug abuse, and little violence. “Sepa, Nuestro Señor de los Milagros,” a short but crucial documentary made in 1986, depicts life in the colony. Sepa was populated by all manner of criminals, some violent, some not: sex offenders, thieves, small-scale drug traffickers‌. But, partially because the environment compelled the inhabitants to work together, this “green hell,” as an interviewee calls it, was in a sense far more functional than most prisons: There were no gangs, no alcohol or drug abuse, and little violence.
There was, however, a powerful sense of isolation and a good deal of nonchalant corruption. This comes across in sequences showing the ramblings of an amiable prison director at the time, Alfredo Elias, and in visits with a prisoner nicknamed “the colonel,” who hailed from the United States. These scenes are both humorous and a bit terrifying.There was, however, a powerful sense of isolation and a good deal of nonchalant corruption. This comes across in sequences showing the ramblings of an amiable prison director at the time, Alfredo Elias, and in visits with a prisoner nicknamed “the colonel,” who hailed from the United States. These scenes are both humorous and a bit terrifying.
The movie was directed by the German filmmaker Walter Saxer, an associate of Werner Herzog, and Saxer’s voice on the soundtrack brings the more famous director to mind. (The narration was written by the Peruvian author and onetime politician Mario Vargas Llosa.) Long considered lost, it’s premiering in New York in a restored version. Seen today, it’s a provocative addition to the literature of incarceration. The movie was directed by the Swiss filmmaker Walter Saxer, an associate of Werner Herzog, and Saxer’s voice on the soundtrack brings the more famous director to mind. (The narration was written by the Peruvian author and onetime politician Mario Vargas Llosa.) Long considered lost, it’s premiering in New York in a restored version. Seen today, it’s a provocative addition to the literature of incarceration.
Sepa: Our Lord of MiraclesNot rated. In German, Spanish and English with English subtitles. Running time: 1 hour 17 minutes. In theaters. Sepa, Nuestro Señor de los MilagrosNot rated. In German, Spanish and English with English subtitles. Running time: 1 hour 17 minutes. In theaters.