This article is from the source 'nytimes' and was first published or seen on . It last changed over 40 days ago and won't be checked again for changes.

You can find the current article at its original source at https://www.nytimes.com/2022/06/23/opinion/sway-kara-swisher-jennifer-egan.html

The article has changed 2 times. There is an RSS feed of changes available.

Version 0 Version 1
Would You Upload Your Consciousness to the Cloud? Would You Upload Your Consciousness to the Cloud?
(4 months later)
Instagram, Twitter and TikTok can monopolize all of your time, driven by what the novelist Jennifer Egan calls humankind’s “ongoing hunger for authenticity.” But to Egan, social media is not a winning strategy for discovering what’s real or true: “Looking to the internet for authentic experience is just inherently a loser,” she says. The digital world, after all, offers only an “illusion of authenticity.”Instagram, Twitter and TikTok can monopolize all of your time, driven by what the novelist Jennifer Egan calls humankind’s “ongoing hunger for authenticity.” But to Egan, social media is not a winning strategy for discovering what’s real or true: “Looking to the internet for authentic experience is just inherently a loser,” she says. The digital world, after all, offers only an “illusion of authenticity.”
In her newest novel, “The Candy House” — set in the same universe as her Pulitzer Prize-winning “A Visit From the Goon Squad” — Egan paints a picture of a world where the search for authenticity becomes so ubiquitous that people can choose to upload their memories — and entire consciousnesses — to a collective archive, and then share them for the world to see.In her newest novel, “The Candy House” — set in the same universe as her Pulitzer Prize-winning “A Visit From the Goon Squad” — Egan paints a picture of a world where the search for authenticity becomes so ubiquitous that people can choose to upload their memories — and entire consciousnesses — to a collective archive, and then share them for the world to see.
[You can listen to this episode of “Sway” on Apple, Spotify, Amazon Music, Google or wherever you get your podcasts.] [You can listen to this episode of “Sway” on Apple, Spotify, Stitcher, Amazon Music, Google or wherever you get your podcasts.]
In this conversation, Kara Swisher and Egan discuss how far Silicon Valley is from accessing our consciousnesses and introducing this kind of dystopian technology. They debate how social media has changed the world and whether there is still room for optimism. And Kara tries to decipher which tech founder, if any, inspired Egan’s protagonist, whom Kara describes as Mark Zuckerberg with “the soul of Steve Jobs.” (Egan, for the record, denies all comparisons.)In this conversation, Kara Swisher and Egan discuss how far Silicon Valley is from accessing our consciousnesses and introducing this kind of dystopian technology. They debate how social media has changed the world and whether there is still room for optimism. And Kara tries to decipher which tech founder, if any, inspired Egan’s protagonist, whom Kara describes as Mark Zuckerberg with “the soul of Steve Jobs.” (Egan, for the record, denies all comparisons.)
(A full transcript of the episode will be available midday on the Times website.)(A full transcript of the episode will be available midday on the Times website.)
Thoughts? Email us at sway@nytimes.com.Thoughts? Email us at sway@nytimes.com.
“Sway” is produced by Nayeema Raza, Blakeney Schick, Caitlin O’Keefe and Wyatt Orme, and edited by Nayeema Raza; fact-checking by Kate Sinclair; music by Isaac Jones and Sonia Herrero; sound design by Isaac Jones; mixing by Carole Sabouraud and Sonia Herrero; audience strategy by Shannon Busta. Special thanks to Kristin Lin and Kristina Samulewski.“Sway” is produced by Nayeema Raza, Blakeney Schick, Caitlin O’Keefe and Wyatt Orme, and edited by Nayeema Raza; fact-checking by Kate Sinclair; music by Isaac Jones and Sonia Herrero; sound design by Isaac Jones; mixing by Carole Sabouraud and Sonia Herrero; audience strategy by Shannon Busta. Special thanks to Kristin Lin and Kristina Samulewski.