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Good cop, bad cop, very bad cop | Good cop, bad cop, very bad cop |
(about 1 hour later) | |
The Wire's protagonist Jimmy McNulty, centre, is no textbook law enforcer | The Wire's protagonist Jimmy McNulty, centre, is no textbook law enforcer |
TV show The Wire portrays police, politicians and lawyers working on the wrong side of the law. It's a break from the norm, says dramatist GF Newman, whose own attempt at showing all sides of the story in 1970s Britain caused uproar. But cop shows still have a long way to come. | TV show The Wire portrays police, politicians and lawyers working on the wrong side of the law. It's a break from the norm, says dramatist GF Newman, whose own attempt at showing all sides of the story in 1970s Britain caused uproar. But cop shows still have a long way to come. |
When I wrote the original Law and Order in the late 1970s there was no model in police drama that showed policemen as other than heroic. | When I wrote the original Law and Order in the late 1970s there was no model in police drama that showed policemen as other than heroic. |
Troy Kennedy Martin had previously portrayed them as stressed and human in Z-Cars, but nonetheless getting their man. Nothing in television police drama ever revealed the criminal's viewpoint. | Troy Kennedy Martin had previously portrayed them as stressed and human in Z-Cars, but nonetheless getting their man. Nothing in television police drama ever revealed the criminal's viewpoint. |
1970s miniseries Law and Order depicted corruption in the police | 1970s miniseries Law and Order depicted corruption in the police |
Just post-Dixon of Dock Green, as Law and Order was, all criminals were viewed as a sub-human species beneath contempt. | Just post-Dixon of Dock Green, as Law and Order was, all criminals were viewed as a sub-human species beneath contempt. |
Thirty years on there is still no British model that regularly depicts the reality of policing and policemen. I always argued that there was a certain pathology that drew entrants to the police service, and that it was almost exactly similar to that of the criminal. | Thirty years on there is still no British model that regularly depicts the reality of policing and policemen. I always argued that there was a certain pathology that drew entrants to the police service, and that it was almost exactly similar to that of the criminal. |
Left to their own devices and unchecked, many policemen have availed themselves of corrupt opportunities and easy solutions for keeping up their arrest numbers. | Left to their own devices and unchecked, many policemen have availed themselves of corrupt opportunities and easy solutions for keeping up their arrest numbers. |
Where do we regularly and persistently see policemen behaving corruptly, or in a racist and prejudiced fashion, repeatedly making mistakes and obsessively covering them up? | Where do we regularly and persistently see policemen behaving corruptly, or in a racist and prejudiced fashion, repeatedly making mistakes and obsessively covering them up? |
COP SHOW HISTORY Dragnet: US show that ran from 1951, and introduced audience to police terminology and proceduresDixon of Dock Green: Ran from 1955 to 1976 and featured rose-tinted view of East End policingZ-Cars: Grittier portrayal of 1960s patrol unitsThe Sweeney: Made its debut in 1975 and showed Flying Squad detectives tackling violent robbersHill Street Blues: Award-winning 1980s US show that set the template for many modern showsThe Shield: Based on the real-life LA Ramparts police scandal, this show finally showed officers behaving with outright criminality | COP SHOW HISTORY Dragnet: US show that ran from 1951, and introduced audience to police terminology and proceduresDixon of Dock Green: Ran from 1955 to 1976 and featured rose-tinted view of East End policingZ-Cars: Grittier portrayal of 1960s patrol unitsThe Sweeney: Made its debut in 1975 and showed Flying Squad detectives tackling violent robbersHill Street Blues: Award-winning 1980s US show that set the template for many modern showsThe Shield: Based on the real-life LA Ramparts police scandal, this show finally showed officers behaving with outright criminality |
Contemporary TV cops sport the occasional flaw, but for the most part are idealised visions and are invariably too old - don't any of those producers look at policemen in the street, or those fronting news bulletins, and notice how young they actually are? | Contemporary TV cops sport the occasional flaw, but for the most part are idealised visions and are invariably too old - don't any of those producers look at policemen in the street, or those fronting news bulletins, and notice how young they actually are? |
Perhaps life is so terrifying that the collective consciousness of television is to create and extend a huge and hugely reassuring comfort zone with our popular police drama. | Perhaps life is so terrifying that the collective consciousness of television is to create and extend a huge and hugely reassuring comfort zone with our popular police drama. |
But the strategy is subject to the law of diminishing returns. We're anything but reassured by these old or flabby detectives who are so divorced from reality all the while we see and read about the increasing lawlessness around us. | But the strategy is subject to the law of diminishing returns. We're anything but reassured by these old or flabby detectives who are so divorced from reality all the while we see and read about the increasing lawlessness around us. |
Are we any less comforted by detectives like DI Pyle, from the original Law and Order, who was "swift" when it came to putting villains away? | Are we any less comforted by detectives like DI Pyle, from the original Law and Order, who was "swift" when it came to putting villains away? |
Or Jack Regan, from The Sweeney, when he roughed up a suspect? The fact is, most of us are indifferent to the treatment of persistent and parasitical criminals who plague us and constantly strip away our quality of life. | Or Jack Regan, from The Sweeney, when he roughed up a suspect? The fact is, most of us are indifferent to the treatment of persistent and parasitical criminals who plague us and constantly strip away our quality of life. |
Yet we remain paradoxical creatures who, while trying to get away with what we can often get away with, will invariably turn out to protest at an injustice, regardless. | Yet we remain paradoxical creatures who, while trying to get away with what we can often get away with, will invariably turn out to protest at an injustice, regardless. |
Z-Cars was gritty but still tame by modern standards | Z-Cars was gritty but still tame by modern standards |
It is ironic that the BBC is transmitting the long-running cult cop drama The Wire, with central characters who are not merely stressed and flawed representations of humanity, but openly corrupt, incompetent, corner-cutting racists, who will readily move heaven and earth to cover themselves. | It is ironic that the BBC is transmitting the long-running cult cop drama The Wire, with central characters who are not merely stressed and flawed representations of humanity, but openly corrupt, incompetent, corner-cutting racists, who will readily move heaven and earth to cover themselves. |
Set in Baltimore, The Wire chronicles some cops trying to do a good job, others indifferent, superiors stopping policing with machinations, and corrupt and devious politicians above them. | Set in Baltimore, The Wire chronicles some cops trying to do a good job, others indifferent, superiors stopping policing with machinations, and corrupt and devious politicians above them. |
The show also reveals criminal viewpoints, and not simply as inexplicable aberrations, but with some insight, even sympathy. | The show also reveals criminal viewpoints, and not simply as inexplicable aberrations, but with some insight, even sympathy. |
I don't believe either presentation is likely to corrupt the youth of today or cause it to swell the ranks of either side. Instead, what this mainstream screening of The Wire might usefully do is influence a whole generation of writers of television to take a more realistic or original view of the genre, as I tried to do back in 1978 with Law and Order. | I don't believe either presentation is likely to corrupt the youth of today or cause it to swell the ranks of either side. Instead, what this mainstream screening of The Wire might usefully do is influence a whole generation of writers of television to take a more realistic or original view of the genre, as I tried to do back in 1978 with Law and Order. |
Then the world was a far more tender and sensitive place, of course, the television-viewing public obviously far more susceptible to corrupt influence. | Then the world was a far more tender and sensitive place, of course, the television-viewing public obviously far more susceptible to corrupt influence. |
Murky waters | Murky waters |
This because following the furore my drama caused - as much the result of the never-before-seen quasi-documentary style in which the films were shot, as their content - the four episodes were summarily judged, found to be unfit for public viewing and put away for 30 years. | This because following the furore my drama caused - as much the result of the never-before-seen quasi-documentary style in which the films were shot, as their content - the four episodes were summarily judged, found to be unfit for public viewing and put away for 30 years. |
The group I'd most like to see influenced by The Wire is that minority of TV executives which signs off on all commissioning. | The group I'd most like to see influenced by The Wire is that minority of TV executives which signs off on all commissioning. |
As a result they might think it safe at last to venture into similarly murky waters of realism here, rather than relying on imports from the US. | As a result they might think it safe at last to venture into similarly murky waters of realism here, rather than relying on imports from the US. |
Dixon of Dock Green rarely had to beat a confession out of a suspect | Dixon of Dock Green rarely had to beat a confession out of a suspect |
How and by what means we get to that point I don't much mind. That we get there and break out of this non-radicalised, non-politicised straightjacket television writers have been encouraged to wear under a surreptitiously repressive and watchful government, is essential to the very survival of drama on the box. | How and by what means we get to that point I don't much mind. That we get there and break out of this non-radicalised, non-politicised straightjacket television writers have been encouraged to wear under a surreptitiously repressive and watchful government, is essential to the very survival of drama on the box. |
If we can't reflect a reality nearer to the common experience then there really is no hope. | If we can't reflect a reality nearer to the common experience then there really is no hope. |
The Wire is a complicated show, one that you have to learn to watch. That in itself is good. | The Wire is a complicated show, one that you have to learn to watch. That in itself is good. |
All too often we get lazy and complacent in our viewing expectations, with writers too often stooping to meet those expectations rather than making the audience work, even at the risk of losing them. Persevere and you will be rewarded. | All too often we get lazy and complacent in our viewing expectations, with writers too often stooping to meet those expectations rather than making the audience work, even at the risk of losing them. Persevere and you will be rewarded. |
G F Newman's original Law and Order is currently running on BBC Four on Tuesdays at 2250 BST. He is the author of Crime and Punishment, a fictional history of crime. The Wire is on BBC Two at 2320 BST. | |
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The BBC may edit your comments and not all emails will be published. Your comments may be published on any BBC media worldwide. Terms & Conditions | The BBC may edit your comments and not all emails will be published. Your comments may be published on any BBC media worldwide. Terms & Conditions |