This article is from the source 'nytimes' and was first published or seen on . It last changed over 40 days ago and won't be checked again for changes.
You can find the current article at its original source at https://www.nytimes.com/2020/01/09/arts/television/edd-byrnes-dead.html
The article has changed 2 times. There is an RSS feed of changes available.
Previous version
1
Next version
| Version 0 | Version 1 |
|---|---|
| Edd Byrnes, Who Combed His Way to TV Stardom, Dies at 86 | Edd Byrnes, Who Combed His Way to TV Stardom, Dies at 86 |
| (about 1 hour later) | |
| CHICAGO, Aug. 22, 1959 — Some fainted, others sobbed with delight and still others surged toward him to gaze into his face, crowned with a crop of wavy hair. | CHICAGO, Aug. 22, 1959 — Some fainted, others sobbed with delight and still others surged toward him to gaze into his face, crowned with a crop of wavy hair. |
| And so went the mass love affair between Edd (Kookie) Byrnes, 26, and a throng of 18,000 cheering bobby sox fans yesterday at Midway Airport. — The Associated Press | And so went the mass love affair between Edd (Kookie) Byrnes, 26, and a throng of 18,000 cheering bobby sox fans yesterday at Midway Airport. — The Associated Press |
| Edd Byrnes, who became one of television’s first teen idols as Kookie — the hair-combing, jive-talking youth on the hit series “77 Sunset Strip” — but found ever after that he could not live the character down, died on Wednesday at his home in Santa Monica, Calif. He was 86. | Edd Byrnes, who became one of television’s first teen idols as Kookie — the hair-combing, jive-talking youth on the hit series “77 Sunset Strip” — but found ever after that he could not live the character down, died on Wednesday at his home in Santa Monica, Calif. He was 86. |
| His son, Logan Byrnes, said the cause was probably a stroke. | |
| Broadcast on ABC from 1958 to 1964, “77 Sunset Strip” starred Efrem Zimbalist Jr. and Roger Smith as a pair of suave Los Angeles private eyes and Mr. Byrnes as the parking-lot attendant at the restaurant next door to their office. | Broadcast on ABC from 1958 to 1964, “77 Sunset Strip” starred Efrem Zimbalist Jr. and Roger Smith as a pair of suave Los Angeles private eyes and Mr. Byrnes as the parking-lot attendant at the restaurant next door to their office. |
| As he ministered tenderly to the Thunderbird convertible driven by Mr. Zimbalist in the show, Kookie (né Gerald Lloyd Kookson III) ran his omnipresent pocket comb through his lush ducktailed pompadour, cracked his devil-may-care grin and spouted aphorisms that even at midcentury had all the gnomic obscurity of Zen koans: | As he ministered tenderly to the Thunderbird convertible driven by Mr. Zimbalist in the show, Kookie (né Gerald Lloyd Kookson III) ran his omnipresent pocket comb through his lush ducktailed pompadour, cracked his devil-may-care grin and spouted aphorisms that even at midcentury had all the gnomic obscurity of Zen koans: |
| “A dark seven” (a depressing week); “piling up the Z’s” (getting some sleep); “headache grapplers” (aspirin); “buzzed by germsville” (to become ill); and, most emblematically, “Baby, you’re the ginchiest!” — a phrase of the highest Kookian approbation. | “A dark seven” (a depressing week); “piling up the Z’s” (getting some sleep); “headache grapplers” (aspirin); “buzzed by germsville” (to become ill); and, most emblematically, “Baby, you’re the ginchiest!” — a phrase of the highest Kookian approbation. |
| Mr. Byrnes, an immediate object of desire for the show’s young female viewers, was soon receiving 15,000 fan letters a week. At public appearances he was pelted with combs. With Connie Stevens, he recorded a single, “Kookie, Kookie, Lend Me Your Comb,” which sold more than a million copies and reached No. 4 on the Billboard chart, despite the fact that by his own cheerful admission he could not sing. | Mr. Byrnes, an immediate object of desire for the show’s young female viewers, was soon receiving 15,000 fan letters a week. At public appearances he was pelted with combs. With Connie Stevens, he recorded a single, “Kookie, Kookie, Lend Me Your Comb,” which sold more than a million copies and reached No. 4 on the Billboard chart, despite the fact that by his own cheerful admission he could not sing. |
| Mr. Byrnes was an entirely self-taught actor — and originally hired to appear in only a single episode of the show. By his own account, his life began with a turbulent, impoverished childhood followed by a stint as a male prostitute; peaked with fame, riches and a roster of celebrity friends; and ebbed amid alcoholism and drug addiction before culminating in sobriety and steady, if relatively low-profile, television work. | Mr. Byrnes was an entirely self-taught actor — and originally hired to appear in only a single episode of the show. By his own account, his life began with a turbulent, impoverished childhood followed by a stint as a male prostitute; peaked with fame, riches and a roster of celebrity friends; and ebbed amid alcoholism and drug addiction before culminating in sobriety and steady, if relatively low-profile, television work. |
| Edward Byrne Breitenberger was born in Manhattan on July 30, 1933, and reared in the Yorkville section, then a rough-and-tumble, down-at-the-heels ancestor of today’s gentrified Upper East Side neighborhood. | |
| His father, Augustus Breitenberger — alcoholic, verbally abusive, usually unemployed and often absent — was, Mr. Byrnes wrote in his memoir, “‘Kookie’ No More” (1996, with Marshall Terrill), the black sheep of a distinguished family: Augustus’s father was a noted civil engineer who had helped build the city’s subway system. | His father, Augustus Breitenberger — alcoholic, verbally abusive, usually unemployed and often absent — was, Mr. Byrnes wrote in his memoir, “‘Kookie’ No More” (1996, with Marshall Terrill), the black sheep of a distinguished family: Augustus’s father was a noted civil engineer who had helped build the city’s subway system. |
| From boyhood on, Ed — he would add the extra “d,” with its double dollop of cool, circa “77 Sunset Strip” — held a series of jobs to support his mother, brother and sister: shining shoes, delivering ice, coal and newspapers and operating a drill press. | From boyhood on, Ed — he would add the extra “d,” with its double dollop of cool, circa “77 Sunset Strip” — held a series of jobs to support his mother, brother and sister: shining shoes, delivering ice, coal and newspapers and operating a drill press. |
| When Ed was 13, his father was found dead from a head wound of uncertain origin — the death may have been a homicide, Mr. Byrnes wrote — leaving Ed as the head of the family. His only escape, he later said, was the movies, and he dreamed of becoming a star. | When Ed was 13, his father was found dead from a head wound of uncertain origin — the death may have been a homicide, Mr. Byrnes wrote — leaving Ed as the head of the family. His only escape, he later said, was the movies, and he dreamed of becoming a star. |
| At 15, he dropped out of school, and at 17, his build honed by gymnastics, he began working as a photographer’s model. A photographer for whom he posed “set us up on dates with older, rich men,” Mr. Byrnes wrote, drawing him into hustling. | At 15, he dropped out of school, and at 17, his build honed by gymnastics, he began working as a photographer’s model. A photographer for whom he posed “set us up on dates with older, rich men,” Mr. Byrnes wrote, drawing him into hustling. |
| “It was a strange world I had been introduced to,” his memoir continued. “Art, wealth, sadism, limousines, sex for money, theater and fine restaurants.” | “It was a strange world I had been introduced to,” his memoir continued. “Art, wealth, sadism, limousines, sex for money, theater and fine restaurants.” |
| He kept watching movies, making a meticulous study of actors’ techniques. He gained valuable, if unorthodox, dramatic experience by helping a friend from the neighborhood, a New York police detective, interrogate suspects, playing bad cop to his friend’s good cop. His role, he wrote, consisted largely of whacking suspects over the head with the Manhattan Yellow Pages. | He kept watching movies, making a meticulous study of actors’ techniques. He gained valuable, if unorthodox, dramatic experience by helping a friend from the neighborhood, a New York police detective, interrogate suspects, playing bad cop to his friend’s good cop. His role, he wrote, consisted largely of whacking suspects over the head with the Manhattan Yellow Pages. |
| Around this time, desiring a professional name and wanting to disavow his father, he began calling himself Edward Byrnes. | Around this time, desiring a professional name and wanting to disavow his father, he began calling himself Edward Byrnes. |
| The young Mr. Byrnes parlayed his N.Y.P.D. training into roles in summer stock. In 1955, he drove to Hollywood in search of stardom. | The young Mr. Byrnes parlayed his N.Y.P.D. training into roles in summer stock. In 1955, he drove to Hollywood in search of stardom. |
| He landed bit parts in television shows like “Wire Service,” “Cheyenne” and “Maverick,” and, eventually, larger parts in movies, including “Reform School Girl” (1957), “Life Begins at 17” (1958), “Darby’s Rangers” (1958) and “Marjorie Morningstar” (1958). | He landed bit parts in television shows like “Wire Service,” “Cheyenne” and “Maverick,” and, eventually, larger parts in movies, including “Reform School Girl” (1957), “Life Begins at 17” (1958), “Darby’s Rangers” (1958) and “Marjorie Morningstar” (1958). |
| In 1958 he was cast in “Girl on the Run,” a movie that became the de facto pilot for “77 Sunset Strip.” That film, which starred Mr. Zimbalist as a detective, was meant to be a one-off; Mr. Byrnes’s character was a murderous psychopath who, in a bit of business he came up with on the set, keeps running a comb through his hair. | In 1958 he was cast in “Girl on the Run,” a movie that became the de facto pilot for “77 Sunset Strip.” That film, which starred Mr. Zimbalist as a detective, was meant to be a one-off; Mr. Byrnes’s character was a murderous psychopath who, in a bit of business he came up with on the set, keeps running a comb through his hair. |
| In test screenings, Mr. Byrnes engendered such a frenzy among the women in the audience that the film soon became a series and his character — resuscitated, one assumes, after a spin in the electric chair — was reborn as Kookie. (In later episodes Kookie has graduated from parking cars to playing junior detective.) | In test screenings, Mr. Byrnes engendered such a frenzy among the women in the audience that the film soon became a series and his character — resuscitated, one assumes, after a spin in the electric chair — was reborn as Kookie. (In later episodes Kookie has graduated from parking cars to playing junior detective.) |
| Although Mr. Byrnes appeared elsewhere in other roles, he found it hard to slip Kookie’s yoke. He reprised the character on several shows of the early ’60s, including “Hawaiian Eye” and “Surfside 6,” as well as in “Kookie & Co.,” a 1964 movie for West German television. | Although Mr. Byrnes appeared elsewhere in other roles, he found it hard to slip Kookie’s yoke. He reprised the character on several shows of the early ’60s, including “Hawaiian Eye” and “Surfside 6,” as well as in “Kookie & Co.,” a 1964 movie for West German television. |
| By the time “77 Sunset Strip” wound down, Mr. Byrnes wrote, he had become mired in drugs, alcohol and depression — first amid the pressures of fame, later amid the reality of being unable to land more significant roles. He hit bottom in 1982, eventually attaining sobriety with the aid of a 12-step program. | By the time “77 Sunset Strip” wound down, Mr. Byrnes wrote, he had become mired in drugs, alcohol and depression — first amid the pressures of fame, later amid the reality of being unable to land more significant roles. He hit bottom in 1982, eventually attaining sobriety with the aid of a 12-step program. |
| Mr. Byrnes’s marriage to Asa Maynor, whom he wed in 1962, ended in divorce. In addition to their son, Logan, a news anchor at KUSI in San Diego, he is survived by his partner, Catherine Gross; a sister, Jo-Ann Breitenberger; and a brother, Vincent Breitenberger. | |
| His other television credits include “The Love Boat,” “Fantasy Island,” “Simon & Simon” and “Murder, She Wrote.” His film roles include Vince Fontaine, the oleaginous host of a TV dance-party show, in “Grease” (1978). | His other television credits include “The Love Boat,” “Fantasy Island,” “Simon & Simon” and “Murder, She Wrote.” His film roles include Vince Fontaine, the oleaginous host of a TV dance-party show, in “Grease” (1978). |
| If Mr. Byrnes’s later career did not accord him the stardom of which he had once dreamed, he was, by his own account, content. There was one topic, though, on which he would seldom consent to be interviewed. | If Mr. Byrnes’s later career did not accord him the stardom of which he had once dreamed, he was, by his own account, content. There was one topic, though, on which he would seldom consent to be interviewed. |
| The subject was hair care. “I won’t talk about it,” he told The Washington Post in 1998, “unless someone’s paying me.” | The subject was hair care. “I won’t talk about it,” he told The Washington Post in 1998, “unless someone’s paying me.” |
Previous version
1
Next version