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Stay Close Stay Close
(2 months later)
Op-DocsOp-Docs
One man’s unlikely path to Olympic glory.One man’s unlikely path to Olympic glory.
By Shuhan Fan and Luther ClementBy Shuhan Fan and Luther Clement
Ms. Fan and Mr. Clement are filmmakers.Ms. Fan and Mr. Clement are filmmakers.
“Stay Close” is one of 10 films shortlisted for the 92nd Academy Awards in the Documentary Short Subject category.
You might think that Keeth Smart, the stoic Olympic fencer portrayed in this film, would be morose as he recounts his parents’ passing or his own brush with death. Instead, he glows. So when we made this film about his fascinating life, we didn’t want it to be sad. Keeth isn’t sad.You might think that Keeth Smart, the stoic Olympic fencer portrayed in this film, would be morose as he recounts his parents’ passing or his own brush with death. Instead, he glows. So when we made this film about his fascinating life, we didn’t want it to be sad. Keeth isn’t sad.
This film got its start after Luther moved to New York for college, where he started fencing with Keeth through the Peter Westbrook Foundation, which supports some of the best fencers in the country. After Luther’s fencing career concluded, he turned to video and began collecting the stories of his Peter Westbrook Foundation teammates. When Keeth and his sister Erinn gave us the personal archive of tapes that trace their family’s unlikely path to the Olympics, we were transfixed by their raw intimacy. We decided to animate the rest of his story; with animator Aaron Brewer, we designed our illustrations to match the aesthetic of the archival material. Because we decided to construct the film around Keeth’s narration, we built the film like a music album, drawing more artistic cues from Frank Ocean’s Blonde than from any documentary film.This film got its start after Luther moved to New York for college, where he started fencing with Keeth through the Peter Westbrook Foundation, which supports some of the best fencers in the country. After Luther’s fencing career concluded, he turned to video and began collecting the stories of his Peter Westbrook Foundation teammates. When Keeth and his sister Erinn gave us the personal archive of tapes that trace their family’s unlikely path to the Olympics, we were transfixed by their raw intimacy. We decided to animate the rest of his story; with animator Aaron Brewer, we designed our illustrations to match the aesthetic of the archival material. Because we decided to construct the film around Keeth’s narration, we built the film like a music album, drawing more artistic cues from Frank Ocean’s Blonde than from any documentary film.
We aspired to make a final product that is as wholly representative of Keeth and his outlook on life. We hope that everyone else is as inspired by him as we are.We aspired to make a final product that is as wholly representative of Keeth and his outlook on life. We hope that everyone else is as inspired by him as we are.
The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips. And here's our email: letters@nytimes.com.The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips. And here's our email: letters@nytimes.com.
Shuhan Fan and Luther Clement began collaborating as MFA students at Northwestern University in 2016. This film premiered at the 2019 Sundance Film Festival.Shuhan Fan and Luther Clement began collaborating as MFA students at Northwestern University in 2016. This film premiered at the 2019 Sundance Film Festival.
Op-Docs is a forum for short, opinionated documentaries by independent filmmakers. Learn more about Op-Docs and how to submit to the series. Follow The New York Times Opinion section on Facebook, Twitter (@NYTopinion) and Instagram.Op-Docs is a forum for short, opinionated documentaries by independent filmmakers. Learn more about Op-Docs and how to submit to the series. Follow The New York Times Opinion section on Facebook, Twitter (@NYTopinion) and Instagram.