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Tips for making it big in the music industry | Tips for making it big in the music industry |
(about 8 hours later) | |
If you're a young music-maker hoping to take the pop world by storm, this is the best of times and the worst of times to make your bid for glory. | If you're a young music-maker hoping to take the pop world by storm, this is the best of times and the worst of times to make your bid for glory. |
The music industry has undergone a convulsion in recent times as CD sales have slumped and streaming services have risen in popularity. | The music industry has undergone a convulsion in recent times as CD sales have slumped and streaming services have risen in popularity. |
That has created new challenges, but also new opportunities. | That has created new challenges, but also new opportunities. |
First, the bad news: a lot of other people have the same ambition. | First, the bad news: a lot of other people have the same ambition. |
"There are 20,000 tracks being uploaded to Spotify every day," says Amelie Bonvalot, head of digital at Domino Recording Company. | |
"You compete with that amount of music, so it's more difficult to stand out." | |
Not only that, but there's less room at the top than there used to be. | Not only that, but there's less room at the top than there used to be. |
Last month, on 7 June, the UK singles chart notched up a dubious historical achievement. For the first time in history, the entire top 10 was unchanged from the previous week. | Last month, on 7 June, the UK singles chart notched up a dubious historical achievement. For the first time in history, the entire top 10 was unchanged from the previous week. |
Thanks to music streaming, once the great British public have latched on to a hit tune, they're reluctant to let it go. That means they keep listening to the same music, leaving less space for new songs. | Thanks to music streaming, once the great British public have latched on to a hit tune, they're reluctant to let it go. That means they keep listening to the same music, leaving less space for new songs. |
"The dynamic has changed. It's harder to break into the very top of the market than it used to be," says Peter Quicke, managing director of the Ninja Tune label. | "The dynamic has changed. It's harder to break into the very top of the market than it used to be," says Peter Quicke, managing director of the Ninja Tune label. |
So how do you deal with that? Well, Ninja Tune and Domino are both living proof that the music business continues to be a diverse place. | So how do you deal with that? Well, Ninja Tune and Domino are both living proof that the music business continues to be a diverse place. |
While three big conglomerates - Universal, Sony and Warner - continue to dominate the industry, there are plenty of more agile players who offer a different perspective. | While three big conglomerates - Universal, Sony and Warner - continue to dominate the industry, there are plenty of more agile players who offer a different perspective. |
And for those independent labels, getting into the top 10 is less important than building and developing a new act. | And for those independent labels, getting into the top 10 is less important than building and developing a new act. |
"We don't look to one track to break an artist any more. The development pathway takes a bit longer and needs more patience," says Domino's Ms Bonvalot. | "We don't look to one track to break an artist any more. The development pathway takes a bit longer and needs more patience," says Domino's Ms Bonvalot. |
"It's very different to a track going on the radio and things blowing up overnight." | "It's very different to a track going on the radio and things blowing up overnight." |
OK, so if you're a new artist, you may have to be prepared to play a long game. But what does that game look like now? | OK, so if you're a new artist, you may have to be prepared to play a long game. But what does that game look like now? |
"Reaching people with music used to be about getting a lot of copies into the shops," says Ninja Tune's Mr Quicke. | "Reaching people with music used to be about getting a lot of copies into the shops," says Ninja Tune's Mr Quicke. |
"Hopefully lots of people would go and buy them and the availability in shops would reduce. But now, of course, everything is available all the time on streaming." | "Hopefully lots of people would go and buy them and the availability in shops would reduce. But now, of course, everything is available all the time on streaming." |
Discovery moment | Discovery moment |
Getting streaming right is crucial. But that doesn't just mean notching up huge numbers of streams, say the music industry professionals. | Getting streaming right is crucial. But that doesn't just mean notching up huge numbers of streams, say the music industry professionals. |
"I see tracks that get a lot of streams, but that doesn't mean that they've got a fan base," says Domino's Ms Bonvalot. | "I see tracks that get a lot of streams, but that doesn't mean that they've got a fan base," says Domino's Ms Bonvalot. |
"That doesn't mean that they will be fans of the artist or listen to other work, listen to an album or come to the shows." | "That doesn't mean that they will be fans of the artist or listen to other work, listen to an album or come to the shows." |
So the important thing is to translate "that discovery moment" - the moment when someone hears a new artist for the first time - into a lasting relationship with the music. | So the important thing is to translate "that discovery moment" - the moment when someone hears a new artist for the first time - into a lasting relationship with the music. |
Musicians, their managers and their labels actually have a lot of tools that allow them to do just that. Spotify, for instance, has a service called Spotify for Artists that allows the creators of the music to see who is listening to them. | Musicians, their managers and their labels actually have a lot of tools that allow them to do just that. Spotify, for instance, has a service called Spotify for Artists that allows the creators of the music to see who is listening to them. |
"We actually see quite a lot of data, " says Ms Bonvalot. "You can see exactly how many times your track has been listened to." | "We actually see quite a lot of data, " says Ms Bonvalot. "You can see exactly how many times your track has been listened to." |
Once labels have that data, they can use it to contact listeners and build on that initial interest. | Once labels have that data, they can use it to contact listeners and build on that initial interest. |
As Domino's head of marketing, Brooke Salisbury, says: "A streaming platform is a place for discovery. We make sure that after they've had that discovery on-platform, we find that person off-platform." | As Domino's head of marketing, Brooke Salisbury, says: "A streaming platform is a place for discovery. We make sure that after they've had that discovery on-platform, we find that person off-platform." |
Playlists help | Playlists help |
One important way of getting heard is to get your music on to the playlists produced by Spotify and other streaming services. | One important way of getting heard is to get your music on to the playlists produced by Spotify and other streaming services. |
As Ninja Tune's Mr Quicke says: "Those playlists are really important. But you don't have to be in the charts to rack up loads of streams." | As Ninja Tune's Mr Quicke says: "Those playlists are really important. But you don't have to be in the charts to rack up loads of streams." |
He points to the success of Maribou State, an electronic music duo who signed to Ninja Tune in 2015 and have since made two albums. | He points to the success of Maribou State, an electronic music duo who signed to Ninja Tune in 2015 and have since made two albums. |
"They have never been in the charts, but they've got a million and a half monthly listeners on Spotify, they headline festivals and have decent slots at Glastonbury," he says. | "They have never been in the charts, but they've got a million and a half monthly listeners on Spotify, they headline festivals and have decent slots at Glastonbury," he says. |
"They're not at the top end of the industry, but they're doing well." | "They're not at the top end of the industry, but they're doing well." |
Merlin, the global digital rights agency for the independent sector, says streaming is revolutionising its members' businesses. | Merlin, the global digital rights agency for the independent sector, says streaming is revolutionising its members' businesses. |
It says 54% of its member labels and distributors now make more than three-quarters of their revenues from digital income, as opposed to physical sales of vinyl and CDs. | It says 54% of its member labels and distributors now make more than three-quarters of their revenues from digital income, as opposed to physical sales of vinyl and CDs. |
And if you do manage to make it big, the global nature of streaming means it's now easier to conquer new territories than it was in the pre-digital age. | And if you do manage to make it big, the global nature of streaming means it's now easier to conquer new territories than it was in the pre-digital age. |
Your music also has the power to go on reaching new audiences years later. | Your music also has the power to go on reaching new audiences years later. |
"Back catalogue tracks are some of the most listened to on streaming platforms," says Domino's Ms Salisbury. | "Back catalogue tracks are some of the most listened to on streaming platforms," says Domino's Ms Salisbury. |
"Take Me Out by Franz Ferdinand has had a complete second life, taking off in various markets - the UK, US and Latin America. It has had 300 million streams just on Spotify. | "Take Me Out by Franz Ferdinand has had a complete second life, taking off in various markets - the UK, US and Latin America. It has had 300 million streams just on Spotify. |
"Even people who went to the shop and bought the CD are going to stream and stream again. When we have a new release, it's 100% sure that you're going to see uplift in back catalogue as well." | "Even people who went to the shop and bought the CD are going to stream and stream again. When we have a new release, it's 100% sure that you're going to see uplift in back catalogue as well." |
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