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| Living by the pen: British Library explores history of writing | Living by the pen: British Library explores history of writing |
| (32 minutes later) | |
| Any modern child fretting about messing up their homework can be reassured – the ancient Egyptians could be just as hopeless. | |
| “It is a bit of a disaster … it’s not good,” said the curator Adrian Edwards, referring to the 2,000-year-old Greek homework of an Egyptian child, on display at the British Library. | |
| The wax tablet is part of a new exhibition telling the 5,000-year story of what curators argue is one of humankind’s greatest achievements, the act of writing. | The wax tablet is part of a new exhibition telling the 5,000-year story of what curators argue is one of humankind’s greatest achievements, the act of writing. |
| Objects include an ancient Egyptian limestone stela, which was recently identified as the oldest in the library’s collection; Alfred Tennyson’s bent quill; and a spectacularly angry telegram from the playwright John Osborne to a theatre critic. | Objects include an ancient Egyptian limestone stela, which was recently identified as the oldest in the library’s collection; Alfred Tennyson’s bent quill; and a spectacularly angry telegram from the playwright John Osborne to a theatre critic. |
| The homework will resonate with almost everybody. “It captures something that we’ve all been through and then perhaps forgotten about,” said Edwards. “When you look at it, it brings it back. It reminds you of what you did as a child when you were learning to write.” | The homework will resonate with almost everybody. “It captures something that we’ve all been through and then perhaps forgotten about,” said Edwards. “When you look at it, it brings it back. It reminds you of what you did as a child when you were learning to write.” |
| In this case, the teacher has scratched two lines of Greek in to the tablet for the child to copy. The results are not great. The child omits the first letter and runs over the right margin. They miss the same letter in a second attempt and again run out of space. | In this case, the teacher has scratched two lines of Greek in to the tablet for the child to copy. The results are not great. The child omits the first letter and runs over the right margin. They miss the same letter in a second attempt and again run out of space. |
| “They’ve copied it out twice and both times made terrible mistakes,” said Edwards. | “They’ve copied it out twice and both times made terrible mistakes,” said Edwards. |
| The exhibition includes an object only recently identified as the oldest in the British Library’s collection, a 3,600-year-old limestone slab covered in hieroglyphs. | The exhibition includes an object only recently identified as the oldest in the British Library’s collection, a 3,600-year-old limestone slab covered in hieroglyphs. |
| It entered the collection in 2006 as part of the archive of the pioneering 19th-century photographer Henry Fox Talbot. Among the many boxes of photographs, correspondence and notebooks were other objects collected by Talbot, who was something of a hoarder. | It entered the collection in 2006 as part of the archive of the pioneering 19th-century photographer Henry Fox Talbot. Among the many boxes of photographs, correspondence and notebooks were other objects collected by Talbot, who was something of a hoarder. |
| Curators knew the stela was ancient Egyptian but only recently discovered its age. It has overtaken 3,000-year-old ox bones bearing the earliest known examples of Chinese writing to take the title of oldest object in the collection. Both are on display. | Curators knew the stela was ancient Egyptian but only recently discovered its age. It has overtaken 3,000-year-old ox bones bearing the earliest known examples of Chinese writing to take the title of oldest object in the collection. Both are on display. |
| Edwards said it was a particular thrill because the hieroglyphs contained a hymn to Osiris, god of the underworld. “The hymn is known but the version here includes passages at the end which have not been recorded anywhere else before,” he said. | Edwards said it was a particular thrill because the hieroglyphs contained a hymn to Osiris, god of the underworld. “The hymn is known but the version here includes passages at the end which have not been recorded anywhere else before,” he said. |
| The exhibition argues that writing and writing tools have always changed, and that fears over handwriting becoming a lost art are nothing new. | The exhibition argues that writing and writing tools have always changed, and that fears over handwriting becoming a lost art are nothing new. |
| The show opens to the public on Friday and follows the library’s popular and critically acclaimed Anglo-Saxons exhibition. There will also be related pop-up displays in 20 partner libraries across the UK. | The show opens to the public on Friday and follows the library’s popular and critically acclaimed Anglo-Saxons exhibition. There will also be related pop-up displays in 20 partner libraries across the UK. |
| The exhibits range from carved stone inscriptions and medieval manuscripts to calligraphy and emojis. There are also typewriters, an old Macintosh II computer and several pens, including a Mont Blanc, Bics and Tennyson’s quill. | The exhibits range from carved stone inscriptions and medieval manuscripts to calligraphy and emojis. There are also typewriters, an old Macintosh II computer and several pens, including a Mont Blanc, Bics and Tennyson’s quill. |
| One section touches on telegrams, brilliantly represented by Osborne. | One section touches on telegrams, brilliantly represented by Osborne. |
| In 1966, 10 years after his success with Look Back in Anger, the playwright had a flop at the National Theatre. The reviews of A Bond Honoured were spectacularly terrible but Osborne was not a man to ignore them and move on. | In 1966, 10 years after his success with Look Back in Anger, the playwright had a flop at the National Theatre. The reviews of A Bond Honoured were spectacularly terrible but Osborne was not a man to ignore them and move on. |
| Every line in the four telegrams sent to Times critic Irving Wardle drips with fury: “CREATION IS SOMETHING YOU DO NOT RECOGNISE OF COURSE STOP HOW COULD YOU BECAUSE YOU DO NOT UNDERSTAND IT STOP ALRIGHT STOP FROM NOW ON ITS OPEN WAR ALL THE WAY.” | Every line in the four telegrams sent to Times critic Irving Wardle drips with fury: “CREATION IS SOMETHING YOU DO NOT RECOGNISE OF COURSE STOP HOW COULD YOU BECAUSE YOU DO NOT UNDERSTAND IT STOP ALRIGHT STOP FROM NOW ON ITS OPEN WAR ALL THE WAY.” |
| • Writing: Making Your Mark is at the British Library 26 April-27 August | • Writing: Making Your Mark is at the British Library 26 April-27 August |
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