This article is from the source 'guardian' and was first published or seen on . It last changed over 40 days ago and won't be checked again for changes.
You can find the current article at its original source at https://www.theguardian.com/music/2018/may/09/sheku-kanneh-mason-harry-and-meghan-royal-wedding-cellist-and-other-bbc-young-musician-winners-relive-the-day
The article has changed 7 times. There is an RSS feed of changes available.
| Version 5 | Version 6 |
|---|---|
| Sheku Kanneh-Mason, the royal wedding cellist, and other young musicians on a life-changing day | Sheku Kanneh-Mason, the royal wedding cellist, and other young musicians on a life-changing day |
| (2 months later) | |
| ‘I’m honoured to be playing at Harry and Meghan’s wedding’ | ‘I’m honoured to be playing at Harry and Meghan’s wedding’ |
| Sheku Kanneh-Mason, cello, 2016 winner at 17 | Sheku Kanneh-Mason, cello, 2016 winner at 17 |
| I entered my first Young Musician competition at the age of 12. There was no way I was going to win. I just did it to give myself something to work towards, doing the same again at 14. That year my older sister, Isata, reached the piano final. By the time I competed again in 2016, I felt like a veteran. I’m lucky: I am very comfortable performing. I don’t tend to get nervous. | I entered my first Young Musician competition at the age of 12. There was no way I was going to win. I just did it to give myself something to work towards, doing the same again at 14. That year my older sister, Isata, reached the piano final. By the time I competed again in 2016, I felt like a veteran. I’m lucky: I am very comfortable performing. I don’t tend to get nervous. |
| The environment was supportive and positive throughout. The three of us who made it to the final were especially friendly – we were all going through the same thing, after all. It was the first time any of us had played a concerto with a professional orchestra, so we were all really excited. I don’t bother much about what I wear: I find suit jackets constricting so I just wear something I’m comfortable in. My mum helped me pick it. | The environment was supportive and positive throughout. The three of us who made it to the final were especially friendly – we were all going through the same thing, after all. It was the first time any of us had played a concerto with a professional orchestra, so we were all really excited. I don’t bother much about what I wear: I find suit jackets constricting so I just wear something I’m comfortable in. My mum helped me pick it. |
| The feeling of elation at winning didn’t fade for a long time, although I did have my maths A-level two days after the final, which brought me back down to earth with a bump. I had to get straight back to schoolwork, and there were also new pieces to practise. | The feeling of elation at winning didn’t fade for a long time, although I did have my maths A-level two days after the final, which brought me back down to earth with a bump. I had to get straight back to schoolwork, and there were also new pieces to practise. |
| The competition is a wonderful thing: it gives young people the chance to perform to a wide audience. Winning has had a massive impact on my career, letting me play all over the world. I’m studying full-time at the Royal Academy, and I’m very proud that my album Inspiration, which features everything from Shostakovich to Bob Marley, went to the top of the classical charts. And I’m so excited and honoured to be performing at Prince Harry and Meghan Markle’s wedding. Winning also meant I’ve had to get used to doing interviews, which is something that I certainly didn’t find easy at first. My only advice for this year’s finalists would be to embrace this amazing opportunity – and enjoy it. I did. | The competition is a wonderful thing: it gives young people the chance to perform to a wide audience. Winning has had a massive impact on my career, letting me play all over the world. I’m studying full-time at the Royal Academy, and I’m very proud that my album Inspiration, which features everything from Shostakovich to Bob Marley, went to the top of the classical charts. And I’m so excited and honoured to be performing at Prince Harry and Meghan Markle’s wedding. Winning also meant I’ve had to get used to doing interviews, which is something that I certainly didn’t find easy at first. My only advice for this year’s finalists would be to embrace this amazing opportunity – and enjoy it. I did. |
| shekukannehmason.com | shekukannehmason.com |
| ‘I overslept. My teacher had to wake me and throw me on stage’ | ‘I overslept. My teacher had to wake me and throw me on stage’ |
| Lara Melda, piano, 2010 winner at 16 | Lara Melda, piano, 2010 winner at 16 |
| I entered at the very last minute. I was lucky to be accepted at all. After each round, I thought: “Ugh, there’s no way I’m getting through.” I hadn’t prepared a concerto in advance because I never thought I’d reach the final. So I had only a month to learn Saint-Saëns’ second piano concerto. Luckily, my specialist music school, The Purcell, were understanding. | I entered at the very last minute. I was lucky to be accepted at all. After each round, I thought: “Ugh, there’s no way I’m getting through.” I hadn’t prepared a concerto in advance because I never thought I’d reach the final. So I had only a month to learn Saint-Saëns’ second piano concerto. Luckily, my specialist music school, The Purcell, were understanding. |
| I was very young and not so good at the interviews that are part of the competition. I still feel happier expressing myself through the piano than through my words. The final itself went by in a blur. I like to rest before I perform and somehow I overslept and my teacher had to wake me up to throw me on stage. But my nerves disappeared as soon as I played the first note. It’s an incredible experience, performing with a professional symphony orchestra, and I was weeping the whole way through the handshakes and the presentation of the award. The photos of me are horrendous - I’ve got this awful crying face on. There wasn’t much celebrating that night as we had to leave Cardiff at 3am to drive to London to be on BBC Breakfast. | I was very young and not so good at the interviews that are part of the competition. I still feel happier expressing myself through the piano than through my words. The final itself went by in a blur. I like to rest before I perform and somehow I overslept and my teacher had to wake me up to throw me on stage. But my nerves disappeared as soon as I played the first note. It’s an incredible experience, performing with a professional symphony orchestra, and I was weeping the whole way through the handshakes and the presentation of the award. The photos of me are horrendous - I’ve got this awful crying face on. There wasn’t much celebrating that night as we had to leave Cardiff at 3am to drive to London to be on BBC Breakfast. |
| Winning changed my life but it can be a blessing and also a burden. At music college, it made me a semi-celebrity, which I hated. And as a teenager, you don’t have the repertoire that a concert pianist in their 20s or 30s would have. But I’ve benefited in so many ways: perhaps most importantly, it brought me to the attention of Alfred Brendel, who agreed to work with me in private masterclasses. | Winning changed my life but it can be a blessing and also a burden. At music college, it made me a semi-celebrity, which I hated. And as a teenager, you don’t have the repertoire that a concert pianist in their 20s or 30s would have. But I’ve benefited in so many ways: perhaps most importantly, it brought me to the attention of Alfred Brendel, who agreed to work with me in private masterclasses. |
| There’s still so much more to be done to change perspectives about classical music – especially the government’s. Every child needs access to music and more funding is needed. There are so many raw talents out there who aren’t reaching their potential. | There’s still so much more to be done to change perspectives about classical music – especially the government’s. Every child needs access to music and more funding is needed. There are so many raw talents out there who aren’t reaching their potential. |
| www.laramelda.co.uk | www.laramelda.co.uk |
| ‘Channel 4 asked me to go on Celebrity Big Brother’ | ‘Channel 4 asked me to go on Celebrity Big Brother’ |
| Mark Simpson, clarinet, 2006 winner age 17 | Mark Simpson, clarinet, 2006 winner age 17 |
| A while ago, I listened back to my performance of the Nielsen Clarinet Concerto that won me the competition. It is – of course – the performance of a very talented musician, but I was struck by how far from definitive it was. These pieces need life experience, they need pain and depth to be understood. I think the competition would better serve young musicians if the age range was 18 to 24. By that point, you’re a musician who’s studied and played and has a voice with something to say. | A while ago, I listened back to my performance of the Nielsen Clarinet Concerto that won me the competition. It is – of course – the performance of a very talented musician, but I was struck by how far from definitive it was. These pieces need life experience, they need pain and depth to be understood. I think the competition would better serve young musicians if the age range was 18 to 24. By that point, you’re a musician who’s studied and played and has a voice with something to say. |
| I was the first – and still the only – person to win BBC Young Musician and BBC Young Composer simultaneously. I was 17 and it was overwhelming. The expectation is that YM winners go straight into a high-powered concerto career, but I wasn’t interested in being a superstar. I didn’t want to have a career playing Mozart concertos. My heart lay in contemporary music and I wanted to study, to learn, to grow. I was offered an incredible amount of opportunities – Channel 4 even called to ask me to go on Big Brother: Celebrity Hijack. I definitely dodged a bullet there. I had to learn what was important and what to say no to. | I was the first – and still the only – person to win BBC Young Musician and BBC Young Composer simultaneously. I was 17 and it was overwhelming. The expectation is that YM winners go straight into a high-powered concerto career, but I wasn’t interested in being a superstar. I didn’t want to have a career playing Mozart concertos. My heart lay in contemporary music and I wanted to study, to learn, to grow. I was offered an incredible amount of opportunities – Channel 4 even called to ask me to go on Big Brother: Celebrity Hijack. I definitely dodged a bullet there. I had to learn what was important and what to say no to. |
| Today, as a successful soloist and composer, I still sometimes have to pinch myself. It seems so remarkable. My mum and dad aren’t musical, they weren’t wealthy, and they certainly weren’t pushy. They just left me to get on with it. I was lucky enough to go to a state school in Liverpool where a heavily subsidised and vibrant music scheme meant I was given free music lessons, a free instrument and all kinds of other ensemble opportunities. Could someone from my background get to the final of Young Musician today? I doubt it. I am the product of a system that no longer exists due to cuts. | Today, as a successful soloist and composer, I still sometimes have to pinch myself. It seems so remarkable. My mum and dad aren’t musical, they weren’t wealthy, and they certainly weren’t pushy. They just left me to get on with it. I was lucky enough to go to a state school in Liverpool where a heavily subsidised and vibrant music scheme meant I was given free music lessons, a free instrument and all kinds of other ensemble opportunities. Could someone from my background get to the final of Young Musician today? I doubt it. I am the product of a system that no longer exists due to cuts. |
| Walking on stage for the final, with a whole rig full cameras filming me, I was petrified and had to flip a switch in my head – telling myself, forcing myself, to enjoy it. When I won, there was this huge roar and I could see my family at the back going crazy. It was one of the happiest days of my life. We all partied back at the hotel and my music teacher asked me if I wanted a drink. I asked for a whisky and a cigar. My mum went mad! Ultimately though, what can the competition do other than say ‘Here he is’? It’s what you do next that’s the important thing. | Walking on stage for the final, with a whole rig full cameras filming me, I was petrified and had to flip a switch in my head – telling myself, forcing myself, to enjoy it. When I won, there was this huge roar and I could see my family at the back going crazy. It was one of the happiest days of my life. We all partied back at the hotel and my music teacher asked me if I wanted a drink. I asked for a whisky and a cigar. My mum went mad! Ultimately though, what can the competition do other than say ‘Here he is’? It’s what you do next that’s the important thing. |
| marksimpsonmusic.com | marksimpsonmusic.com |
| ‘I was on painkillers and couldn’t hold the bow properly’ | ‘I was on painkillers and couldn’t hold the bow properly’ |
| Laura van der Heijden, cello, 2012 winner aged 15 | Laura van der Heijden, cello, 2012 winner aged 15 |
| I was 14 when I entered. I was really just hoping to get through the first round – to show that all the music I’d been doing was worth it. I never expected to get much further, let alone win it. The week before the strings final, I played tennis. I’m a very bad tennis player and I managed to hurt my arm, so my main memory was of being high on painkillers and not being able to hold my bow properly. | I was 14 when I entered. I was really just hoping to get through the first round – to show that all the music I’d been doing was worth it. I never expected to get much further, let alone win it. The week before the strings final, I played tennis. I’m a very bad tennis player and I managed to hurt my arm, so my main memory was of being high on painkillers and not being able to hold my bow properly. |
| I played the Walton cello concerto in the overall final. It was a good choice on my teacher’s part: the cello repertoire isn’t massive and with a piece such as, say, the Elgar concerto it’s more difficult to find your own voice. But the Walton isn’t so well known, even though it’s a magical and very accessible work I felt passionate about. | I played the Walton cello concerto in the overall final. It was a good choice on my teacher’s part: the cello repertoire isn’t massive and with a piece such as, say, the Elgar concerto it’s more difficult to find your own voice. But the Walton isn’t so well known, even though it’s a magical and very accessible work I felt passionate about. |
| I had a slightly unfortunate start. I sat down and looked over to Kiril Karabits, the conductor, thinking to tune, but he misunderstood me and began the piece itself. I just had to play – what else could I have done? I remember feeling so relaxed and free, playing with the orchestra. I felt like I was flying. The announcement of the winner was a bittersweet moment as it meant that the whole experience was over, and I found the whole situation tricky - deciding between three different instruments and three different musicians. I felt sad we couldn’t all go on stage together. Even now I can hardly believe I won. It still seems unreal. | I had a slightly unfortunate start. I sat down and looked over to Kiril Karabits, the conductor, thinking to tune, but he misunderstood me and began the piece itself. I just had to play – what else could I have done? I remember feeling so relaxed and free, playing with the orchestra. I felt like I was flying. The announcement of the winner was a bittersweet moment as it meant that the whole experience was over, and I found the whole situation tricky - deciding between three different instruments and three different musicians. I felt sad we couldn’t all go on stage together. Even now I can hardly believe I won. It still seems unreal. |
| www.lauravanderheijden.uk | www.lauravanderheijden.uk |
| ‘I turned up wearing an outrageous pair of cowboy boots’ | ‘I turned up wearing an outrageous pair of cowboy boots’ |
| Martin James Bartlett, piano, 2014 winner age 17 | Martin James Bartlett, piano, 2014 winner age 17 |
| I love talking so the filming and interviews weren’t a problem. In fact, the day I spent with the camera team was one of the funniest I’ve ever had. I was in the competition twice – in 2012 I reached the keyboard final. I turned up wearing an outrageous pair of cowboy boots with a massive heel. They were completely impractical but I had to play in them. | I love talking so the filming and interviews weren’t a problem. In fact, the day I spent with the camera team was one of the funniest I’ve ever had. I was in the competition twice – in 2012 I reached the keyboard final. I turned up wearing an outrageous pair of cowboy boots with a massive heel. They were completely impractical but I had to play in them. |
| In 2014, I wasn’t allowed to choose what to wear. My piano teacher just bought 10 pairs of black shoes from M&S – and made me try them all on until we found the right ones. | In 2014, I wasn’t allowed to choose what to wear. My piano teacher just bought 10 pairs of black shoes from M&S – and made me try them all on until we found the right ones. |
| Backstage, as the final winner was being announced, we couldn’t really hear and we all sort of shuffled forward. Somebody put a hand on my back and shoved me on to the stage and I remember thinking: “I hope this means I’ve won, not that they’re announcing the runners-up first.” | Backstage, as the final winner was being announced, we couldn’t really hear and we all sort of shuffled forward. Somebody put a hand on my back and shoved me on to the stage and I remember thinking: “I hope this means I’ve won, not that they’re announcing the runners-up first.” |
| We all went out for a meal afterwards and the TV in the restaurant was showing the competition. So I got to relive the whole experience while eating my pasta carbonara. | We all went out for a meal afterwards and the TV in the restaurant was showing the competition. So I got to relive the whole experience while eating my pasta carbonara. |
| www.martinjamesbartlett.com | www.martinjamesbartlett.com |
| The final of BBC Young Musician 2018 will be shown live on BBC Four on 13 May at 7pm. | The final of BBC Young Musician 2018 will be shown live on BBC Four on 13 May at 7pm. |
| The Proms mark the competition’s 40th anniversary with a concert of past finalists at the Royal Albert Hall, London, on 15 July. | The Proms mark the competition’s 40th anniversary with a concert of past finalists at the Royal Albert Hall, London, on 15 July. |
| BBC Young Musician | BBC Young Musician |
| Classical music | Classical music |
| Young people | Young people |
| Awards and prizes | Awards and prizes |
| BBC | BBC |
| Music (Education) | Music (Education) |
| Arts funding | Arts funding |
| features | features |
| Share on Facebook | Share on Facebook |
| Share on Twitter | Share on Twitter |
| Share via Email | Share via Email |
| Share on LinkedIn | Share on LinkedIn |
| Share on Pinterest | Share on Pinterest |
| Share on WhatsApp | Share on WhatsApp |
| Share on Messenger | Share on Messenger |
| Reuse this content | Reuse this content |