This article is from the source 'guardian' and was first published or seen on . It last changed over 40 days ago and won't be checked again for changes.
You can find the current article at its original source at https://www.theguardian.com/artanddesign/2017/oct/03/chapman-brothers-jake-dino-bronze-suicide-vests-london
The article has changed 3 times. There is an RSS feed of changes available.
Version 0 | Version 1 |
---|---|
Chapman brothers' bronze suicide vests go on show in London | Chapman brothers' bronze suicide vests go on show in London |
(4 months later) | |
Artists’ ‘life and death vests’ made from images online, apart from one based on prop used in Jackie Chan film | |
Mark Brown Arts correspondent | |
Tue 3 Oct 2017 18.40 BST | |
Last modified on Wed 4 Oct 2017 07.27 BST | |
Share on Facebook | |
Share on Twitter | |
Share via Email | |
View more sharing options | |
Share on LinkedIn | |
Share on Pinterest | |
Share on Google+ | |
Share on WhatsApp | |
Share on Messenger | |
Close | |
Jake and Dinos Chapman, known for their pessimistic ruminations on human violence and barbarity, have filled a London gallery space with seven bronzes of suicide vests. | Jake and Dinos Chapman, known for their pessimistic ruminations on human violence and barbarity, have filled a London gallery space with seven bronzes of suicide vests. |
The “life and death vests” are horrifyingly detailed and real, made from images found online, apart from one which was made from a Hollywood film prop. | The “life and death vests” are horrifyingly detailed and real, made from images found online, apart from one which was made from a Hollywood film prop. |
They were challenging works but also things of great beauty, said Craig Burnett, director of exhibitions at the BlainSouthern gallery. “When they came in, part of the surprise was how beautiful they are as objects, as sculptures,” he said. | They were challenging works but also things of great beauty, said Craig Burnett, director of exhibitions at the BlainSouthern gallery. “When they came in, part of the surprise was how beautiful they are as objects, as sculptures,” he said. |
“I think the surface is beautiful, the form is beautiful – there is a kind of mundanity to the object itself … but, of course, there is an implied violence: it is an explosive device. | “I think the surface is beautiful, the form is beautiful – there is a kind of mundanity to the object itself … but, of course, there is an implied violence: it is an explosive device. |
“Beauty is a difficult word, it means a lot of different things … the way I’m using it now is in terms of a quality that is seductive; you want to look at it, you want to analyse it, you want to engage with it as an object.” | “Beauty is a difficult word, it means a lot of different things … the way I’m using it now is in terms of a quality that is seductive; you want to look at it, you want to analyse it, you want to engage with it as an object.” |
The bronzes clearly address world events but the artists have declined to speak about the new works. | The bronzes clearly address world events but the artists have declined to speak about the new works. |
Each bronze is being sold as a one-off, apart from the one based on a prop used in the Jackie Chan film Rush Hour, which the brothers bought from a movie props website. That comes in an edition of six. | Each bronze is being sold as a one-off, apart from the one based on a prop used in the Jackie Chan film Rush Hour, which the brothers bought from a movie props website. That comes in an edition of six. |
The Chapmans’ work is often a response to the work of other artists. In this case, they were inspired by Jeff Koons’ Aqualung from 1985, a buoyancy device which had been uselessly cast in bronze. | The Chapmans’ work is often a response to the work of other artists. In this case, they were inspired by Jeff Koons’ Aqualung from 1985, a buoyancy device which had been uselessly cast in bronze. |
Burnett said the suicide vests reminded him of walking into the Imperial War Museum. “There is always an engagement with violence and politics in [the Chapman brothers’] work, and I think when you walk in here there is a real sense of a memorial with the objects.” | Burnett said the suicide vests reminded him of walking into the Imperial War Museum. “There is always an engagement with violence and politics in [the Chapman brothers’] work, and I think when you walk in here there is a real sense of a memorial with the objects.” |
The vests are the brothers’ first work for BlainSouthern, having previously been with White Cube. Also on display are works that continue the Chapmans’ fascination with Francisco de Goya. Prints from Goya’s Disasters of War have been dramatically, sometimes hilariously, reworked by the brothers in collage, watercolour and glitter. | The vests are the brothers’ first work for BlainSouthern, having previously been with White Cube. Also on display are works that continue the Chapmans’ fascination with Francisco de Goya. Prints from Goya’s Disasters of War have been dramatically, sometimes hilariously, reworked by the brothers in collage, watercolour and glitter. |
• Jake and Dinos Chapman, the Disasters of Everyday Life, is at BlainSoutthern from 4 October until 11 November. | • Jake and Dinos Chapman, the Disasters of Everyday Life, is at BlainSoutthern from 4 October until 11 November. |
Jake and Dinos Chapman | |
Sculpture | |
London | |
news | |
Share on Facebook | |
Share on Twitter | |
Share via Email | |
Share on LinkedIn | |
Share on Pinterest | |
Share on Google+ | |
Share on WhatsApp | |
Share on Messenger | |
Reuse this content |