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The forgotten French village massacre | The forgotten French village massacre |
(about 8 hours later) | |
A wartime massacre in a small French village is going to be examined by a German prosecutor. Emma Jane Kirby has been to Maille, in the Loire valley, to meet the survivors. | A wartime massacre in a small French village is going to be examined by a German prosecutor. Emma Jane Kirby has been to Maille, in the Loire valley, to meet the survivors. |
The Maille massacre was the second largest in France during WWII | The Maille massacre was the second largest in France during WWII |
A thick fringe of heavy, yellow sunflowers borders Maille on all sides, and in the village itself, there is barely a bench or a hanging basket which is not bursting with a lavish floral arrangement. | A thick fringe of heavy, yellow sunflowers borders Maille on all sides, and in the village itself, there is barely a bench or a hanging basket which is not bursting with a lavish floral arrangement. |
The houses are all uniformly white. None looks lived in enough to boast of any history. | The houses are all uniformly white. None looks lived in enough to boast of any history. |
Manicured, painted and polished, the streets here seem intent on putting up a good show. | Manicured, painted and polished, the streets here seem intent on putting up a good show. |
But put your head round the door of the village cafe and the staircase - pock marked by bullet scars - immediately lets slip that Maille has another very different face. | But put your head round the door of the village cafe and the staircase - pock marked by bullet scars - immediately lets slip that Maille has another very different face. |
Underneath the lacquered, surface display, lies a festering mass of sores and black secrets. | Underneath the lacquered, surface display, lies a festering mass of sores and black secrets. |
'Unlocking memories' | 'Unlocking memories' |
On the morning of the 25 August 1944, scores of German soldiers stormed into the village and began to kill every living creature they found in their path. | On the morning of the 25 August 1944, scores of German soldiers stormed into the village and began to kill every living creature they found in their path. |
Children were slaughtered like chickens, babies butchered in front of their mothers and grandfathers hacked down like weeds. | Children were slaughtered like chickens, babies butchered in front of their mothers and grandfathers hacked down like weeds. |
Nearly every house, barn and farmyard was set alight and within a couple of brutal hours, Maille was almost obliterated, with 124 of its villagers massacred. | Nearly every house, barn and farmyard was set alight and within a couple of brutal hours, Maille was almost obliterated, with 124 of its villagers massacred. |
Ironically, at the same moment that the people of Maille were screaming in terror, the people of Paris were cheering with joy at their liberation. | Ironically, at the same moment that the people of Maille were screaming in terror, the people of Paris were cheering with joy at their liberation. |
For the past 64 years, Maille has kept silent. | For the past 64 years, Maille has kept silent. |
But now a German prosecutor has promised to shed light on what happened here and slowly, painfully, memories are being unlocked. | But now a German prosecutor has promised to shed light on what happened here and slowly, painfully, memories are being unlocked. |
Childhood loss | Childhood loss |
As she waters the pansies in her meticulous garden, her arthritic hands shaking, Gisele Bourgoing gives me brief flashes into her experience on the day of the massacre. | As she waters the pansies in her meticulous garden, her arthritic hands shaking, Gisele Bourgoing gives me brief flashes into her experience on the day of the massacre. |
Gisele Bourgoing was nine when the massacre happened | Gisele Bourgoing was nine when the massacre happened |
I am able to picture her hiding with her mother in a cellar, cowering at the thundering of black boots overhead, and I can hear her calling for her missing daddy when the firing finally ends. | I am able to picture her hiding with her mother in a cellar, cowering at the thundering of black boots overhead, and I can hear her calling for her missing daddy when the firing finally ends. |
The memories are staccato, quickly cut off before they can blossom further. | The memories are staccato, quickly cut off before they can blossom further. |
"We never spoke about it," she whispers. Parents said nothing to children and children knew never to ask questions." | |
In total, Gisele lost 17 members of her family in the massacre, including her father. | In total, Gisele lost 17 members of her family in the massacre, including her father. |
'Hue of sorrow' | 'Hue of sorrow' |
A few hundred metres up the road, her slightly older cousin Gilbert keeps a pristine farm where the geese are clean enough to have hopped from the pages of a Beatrix Potter book. | A few hundred metres up the road, her slightly older cousin Gilbert keeps a pristine farm where the geese are clean enough to have hopped from the pages of a Beatrix Potter book. |
Gilbert looks at me with soft and faded blue eyes which somehow seem to embody both the colour of gentleness and the hue of sorrow. | Gilbert looks at me with soft and faded blue eyes which somehow seem to embody both the colour of gentleness and the hue of sorrow. |
Gilbert Chedozeau's father was one of those executed | Gilbert Chedozeau's father was one of those executed |
I wonder if the colour has been wept away. | I wonder if the colour has been wept away. |
I tell him he has a beautiful house and he shrugs off the compliment quickly explaining no, this is is not the real house. That was burned down 64 years ago and this is just a replacement. | I tell him he has a beautiful house and he shrugs off the compliment quickly explaining no, this is is not the real house. That was burned down 64 years ago and this is just a replacement. |
In the corner of the field he points to a dark wooden barn which is the only original part of the property. They burnt the rest, he tells me and they shot all the cows. | In the corner of the field he points to a dark wooden barn which is the only original part of the property. They burnt the rest, he tells me and they shot all the cows. |
His blue eyes look confused briefly. | His blue eyes look confused briefly. |
"No," he corrects himself, "the Germans shot three cows in the morning and then in the afternoon when we thought they'd gone, they suddenly came back and shot seven more." | "No," he corrects himself, "the Germans shot three cows in the morning and then in the afternoon when we thought they'd gone, they suddenly came back and shot seven more." |
Quietly he adds that the soldiers also murdered 37 members of his family. | Quietly he adds that the soldiers also murdered 37 members of his family. |
"My little cousins," he says, "I still can't forget the little cousins you see, I used to play with them and they were so..." | "My little cousins," he says, "I still can't forget the little cousins you see, I used to play with them and they were so..." |
But then his voice trails away and I can see him pushing the memory back under. | But then his voice trails away and I can see him pushing the memory back under. |
Instead he tells me his story of survival, how for two nail-biting hours his mother, sisters and the two sheep dogs hid silently in a stream under a bridge while unsuspecting German officers yelled orders above them. | Instead he tells me his story of survival, how for two nail-biting hours his mother, sisters and the two sheep dogs hid silently in a stream under a bridge while unsuspecting German officers yelled orders above them. |
"Why didn't they discover us?" Gilbert asks. "Why didn't the sheep dogs who always barked at loud noises, give us away?" | "Why didn't they discover us?" Gilbert asks. "Why didn't the sheep dogs who always barked at loud noises, give us away?" |
He's not sure what good will come of the German prosecutor's inquiry into the Maille massacre but he says: "Maybe it's a good way to honour the victims, for my cousins who were..." | He's not sure what good will come of the German prosecutor's inquiry into the Maille massacre but he says: "Maybe it's a good way to honour the victims, for my cousins who were..." |
Flower of choice | Flower of choice |
The memorial in the cemetery fills in the blanks that Gilbert and Gisele cannot voice. | The memorial in the cemetery fills in the blanks that Gilbert and Gisele cannot voice. |
Eliane Guitan, aged six. Gerard Guitan aged four, Jackie Guitan, aged two, Hubert Menanteau, aged three months. | Eliane Guitan, aged six. Gerard Guitan aged four, Jackie Guitan, aged two, Hubert Menanteau, aged three months. |
Gisele's house is built on the site where several villagers lost their lives. | Gisele's house is built on the site where several villagers lost their lives. |
She treasures a photograph of the original building that stood there and has marked the exact spot where the front door would have been with a bed of clustering pansies. She is crying as she waters the flowers, telling me she cannot look at them without remembering. | She treasures a photograph of the original building that stood there and has marked the exact spot where the front door would have been with a bed of clustering pansies. She is crying as she waters the flowers, telling me she cannot look at them without remembering. |
It is so painful, she says to me, but it is so important to keep the pansies alive. | It is so painful, she says to me, but it is so important to keep the pansies alive. |
On the train home I suddenly remember with a jolt that the word for pansy in French, "pensee", also means thought. | On the train home I suddenly remember with a jolt that the word for pansy in French, "pensee", also means thought. |
It is only then I understand that Gisele and all the other villagers are not covering anything up with their garish flowers. They are simply saying: lest we forget. | It is only then I understand that Gisele and all the other villagers are not covering anything up with their garish flowers. They are simply saying: lest we forget. |
From Our Own Correspondent was broadcast on Saturday, 19 July, 2008 at 1130 BST on BBC Radio 4. Please check the programme schedules for World Service transmission times. | From Our Own Correspondent was broadcast on Saturday, 19 July, 2008 at 1130 BST on BBC Radio 4. Please check the programme schedules for World Service transmission times. |